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Rewrite and translate this title JMSN’s 2023 Song ‘Soft Spot’ Randomly Went Viral—Now He’s Rethinking His Approach to Japanese between 50 and 60 characters. Do not include any introductory or extra text; return only the title in Japanese.

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You don’t have to doom-scroll for too long to thumb across it.

A pale, wiry figure jerks his shoulders, taking hard drags from a cigarette in a beater and light-washed jeans, bathed in bruised light. His presence pulses alongside a throbbing mix of 808s and piercing synth strings, invoking a type of early-aughts club-kid bliss—a moment seemingly lost to vapers and modern venue regulations.

For the initiated, JMSN, the Detroit-raised, Los Angeles-based musician born Christian Berishaj, is instantly identifiable at the center of this feverish and collisional mass of chain-smoking, identically dressed bodies. But those newly discovering JMSN’s obsidian spin on Miami Bass might be surprised to learn this wasn’t a teaser for a recent song, but “Soft Spot,” the delightfully dark title track to his latest album, which slipped below many a radar following its release in October 2023.

The 45-second clip of B-roll recovered from the shoot for the song’s official video was uploaded to TikTok roughly a month ago to punch up ticket sales for a slate of shows overseas. The response was initially gradual but has since amounted to roughly a million plays between all clips featuring the track. Hands-on and detail-obsessed, JMSN employs a single assistant, Drew, to help him manage his digital presence. But it was his own suggestion to try and replicate the success on another platform. And the bet on X’s algorithm paid out almost immediately.

“It went crazy there,” JMSN said over a Zoom line from his recording studio in LA, still dissecting the anatomy of his viral moment after returning from the European tour the clip was posted to promote. “I mean, I dance like that all the time…Maybe it’s the combination of just the song, the clip, but something just worked. I was just going off to the song. I don’t know what the fuck I’m doing, but somehow it works sometimes.”

Mentions, memes, and reactions poured in to the tune of tens of millions of impressions. As did the requisite remixes and edits, cultivating a micro-climate of creative output around “Soft Spot” with vocals spliced in from Migos, Ne-Yo, and, of course, Ghost Town DJs’ “My Boo,” a not-too-distant ancestor of his unexpected hit, which is already echoing out beyond his feed. “I’m already seeing people playing it out. We were at some meeting with these people at some roof bar or something, and they played the song and it was so weird. I was like, ‘No, that’s not the song.’ And then they followed it with “My Boo.” And I was like, ‘Oh, this is so good,’” he recalled.

Aside from the engagement metrics, streaming boosts, and flesh-and-blood DJ spins, the resonance of “Soft Spot” has earned JMSN some tangible gains as an independent artist. “The bump immediately I saw in merch…Even when the first TikTok one went off, I was like, ‘Am I getting scammed?‘ There can’t be this many orders from a TikTok clip’,” he said. “But, I mean, they kept coming in and I was like, ‘Oh, OK. This must be real.’” Prior to “Soft Spot” blowing up, JMSN was a fairly traditional marketer. On-the-ground advertising comprised the core of his promotional theory. Street teams, canvassers, proper press runs, and targeted touring were the tendrils of his album campaigns. And operating as his own PR team has its perks, including the ability to adapt to how, where, and when his music is getting played. “Just figuring out how to roll out the marketing is fun. And trying to go against the grain with stuff is fun too. For this album, we did a lot of street marketing. We released it on Tuesday instead of Friday, because why are we trying to compete with all these people who got money behind them?” JMSN said.

Now firmly on the other end of his brush with virality, JMSN is wondering if there’s an age limit to the material he sends through the algorithms. “Once that started working, I cut up over a hundred clips before I left on tour. We’ve just been feeding the TikTok and slowly we’re going to Twitter with clips from like 2018. We just had one yesterday that was from 2017 that’s going crazy on TikTok. I’m like, ‘We’re going to go through every single album. Let it do what it does. I don’t give a shit when it was from. Let’s go.’”

Whether JMSN has cracked the code on internet stardom remains to be seen. But as the director behind most of his videos, he’s uniquely equipped to monitor and respond to the performance of his content on algorithmically-driven platforms in real-time. And it seems to be working so far. Between the sudden success of “Soft Spot”—the video for which promptly received a “Director’s Cut” edition over the weekend featuring the full B-roll footage—and an apocalyptic video for his 2021 single “Don’t Make Me Change” picking up a few million hits on YouTube earlier this year, he appears to have stumbled upon some semblance of a winning formula to self-promotion on social media.

And though he’s certainly benefited from the arbitrary nature of clips taking off on social platforms, JMSN isn’t terribly concerned with understanding the mechanics behind them. Instead of appealing to some ever-evolving bit of coding, JMSN is keeping true to his own nature, relentlessly experimenting and testing across platforms until something sticks, whenever that might come. “You don’t know when stuff is going to happen. And I can’t control that. All I can control is how good I can make what I’m making. And that’s what I focus on. That’s all I can control. And if I do that, I believe that it’s going to work out in whatever timeline is meant to be.”

in HTML format, including tags, to make it appealing and easy to read for Japanese-speaking readers aged 20 to 40 interested in fashion. Organize the content with appropriate headings and subheadings (h1, h2, h3, h4, h5, h6), translating all text, including headings, into Japanese. Retain any existing tags from

You don’t have to doom-scroll for too long to thumb across it.

A pale, wiry figure jerks his shoulders, taking hard drags from a cigarette in a beater and light-washed jeans, bathed in bruised light. His presence pulses alongside a throbbing mix of 808s and piercing synth strings, invoking a type of early-aughts club-kid bliss—a moment seemingly lost to vapers and modern venue regulations.

For the initiated, JMSN, the Detroit-raised, Los Angeles-based musician born Christian Berishaj, is instantly identifiable at the center of this feverish and collisional mass of chain-smoking, identically dressed bodies. But those newly discovering JMSN’s obsidian spin on Miami Bass might be surprised to learn this wasn’t a teaser for a recent song, but “Soft Spot,” the delightfully dark title track to his latest album, which slipped below many a radar following its release in October 2023.

The 45-second clip of B-roll recovered from the shoot for the song’s official video was uploaded to TikTok roughly a month ago to punch up ticket sales for a slate of shows overseas. The response was initially gradual but has since amounted to roughly a million plays between all clips featuring the track. Hands-on and detail-obsessed, JMSN employs a single assistant, Drew, to help him manage his digital presence. But it was his own suggestion to try and replicate the success on another platform. And the bet on X’s algorithm paid out almost immediately.

“It went crazy there,” JMSN said over a Zoom line from his recording studio in LA, still dissecting the anatomy of his viral moment after returning from the European tour the clip was posted to promote. “I mean, I dance like that all the time…Maybe it’s the combination of just the song, the clip, but something just worked. I was just going off to the song. I don’t know what the fuck I’m doing, but somehow it works sometimes.”

Mentions, memes, and reactions poured in to the tune of tens of millions of impressions. As did the requisite remixes and edits, cultivating a micro-climate of creative output around “Soft Spot” with vocals spliced in from Migos, Ne-Yo, and, of course, Ghost Town DJs’ “My Boo,” a not-too-distant ancestor of his unexpected hit, which is already echoing out beyond his feed. “I’m already seeing people playing it out. We were at some meeting with these people at some roof bar or something, and they played the song and it was so weird. I was like, ‘No, that’s not the song.’ And then they followed it with “My Boo.” And I was like, ‘Oh, this is so good,’” he recalled.

Aside from the engagement metrics, streaming boosts, and flesh-and-blood DJ spins, the resonance of “Soft Spot” has earned JMSN some tangible gains as an independent artist. “The bump immediately I saw in merch…Even when the first TikTok one went off, I was like, ‘Am I getting scammed?‘ There can’t be this many orders from a TikTok clip’,” he said. “But, I mean, they kept coming in and I was like, ‘Oh, OK. This must be real.’” Prior to “Soft Spot” blowing up, JMSN was a fairly traditional marketer. On-the-ground advertising comprised the core of his promotional theory. Street teams, canvassers, proper press runs, and targeted touring were the tendrils of his album campaigns. And operating as his own PR team has its perks, including the ability to adapt to how, where, and when his music is getting played. “Just figuring out how to roll out the marketing is fun. And trying to go against the grain with stuff is fun too. For this album, we did a lot of street marketing. We released it on Tuesday instead of Friday, because why are we trying to compete with all these people who got money behind them?” JMSN said.

Now firmly on the other end of his brush with virality, JMSN is wondering if there’s an age limit to the material he sends through the algorithms. “Once that started working, I cut up over a hundred clips before I left on tour. We’ve just been feeding the TikTok and slowly we’re going to Twitter with clips from like 2018. We just had one yesterday that was from 2017 that’s going crazy on TikTok. I’m like, ‘We’re going to go through every single album. Let it do what it does. I don’t give a shit when it was from. Let’s go.’”

Whether JMSN has cracked the code on internet stardom remains to be seen. But as the director behind most of his videos, he’s uniquely equipped to monitor and respond to the performance of his content on algorithmically-driven platforms in real-time. And it seems to be working so far. Between the sudden success of “Soft Spot”—the video for which promptly received a “Director’s Cut” edition over the weekend featuring the full B-roll footage—and an apocalyptic video for his 2021 single “Don’t Make Me Change” picking up a few million hits on YouTube earlier this year, he appears to have stumbled upon some semblance of a winning formula to self-promotion on social media.

And though he’s certainly benefited from the arbitrary nature of clips taking off on social platforms, JMSN isn’t terribly concerned with understanding the mechanics behind them. Instead of appealing to some ever-evolving bit of coding, JMSN is keeping true to his own nature, relentlessly experimenting and testing across platforms until something sticks, whenever that might come. “You don’t know when stuff is going to happen. And I can’t control that. All I can control is how good I can make what I’m making. And that’s what I focus on. That’s all I can control. And if I do that, I believe that it’s going to work out in whatever timeline is meant to be.”

and integrate them seamlessly into the new content without adding new tags. Ensure the new content is fashion-related, written entirely in Japanese, and approximately 1500 words. Conclude with a “結論” section and a well-formatted “よくある質問” section. Avoid including an introduction or a note explaining the process.

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