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Au Revoir Paris, it’s been a fun-filled week – here are our top moments from the French extravaganza.
Ooh la la! The sun is setting on the Seine, Paris Fashion Week’s doors are closing, and what a time it’s been. No, the unexploded WWII bomb that cancelled all Eurostars to Paris wasn’t going to cramp our style, nor was the diva who made their debut on the Chanel catwalk (we’re of course referencing the pigeon who became an overnight star). Creative director debuts were aplenty, hometown heroes held their own, as did up-and-comers, are you ready for the heat? Hold onto your popcorn, and read on to get your scoop…
J’adore Dior, and so should you
To all of our archival baddies, you can officially put a hold on your Vestiaire searches, as Maria Grazia Chiuri has reprised possibly one of the most sought after, cult-favourite Dior garms… the J’adore Dior baby tee is back, and it feels so good! Harking to John Galliano’s tenure at Dior, MGC’s offering this season came with a side of ruffles, saddle bags, and corsetry. The designer has been dipping her toes in costume design, referencing Virginia Woolf’s 1928 Orlando novel as a key inspiration for the collection, where the protagonist explores several centuries, and genders, throughout his life. Dior-isms were evident from start to finish, and it was quite possibly MGC’s most enticing collection yet for Dior (we’ve never added so many looks to our favourites folder, that’s for certain).
DIVA spotted at the Chanel runway
Courtesy of Chanel
The new Chanel muse hath arrived on our runway: she’s unapologetically authentic, doused in a generous portion of greige, and is bringing back the head-bob. No, we’re not talking about the next soon-to-be supermodel to keep an eye on, we’re talking about the pigeon who unknowingly flew onto Chanel’s AW25 runway on Monday morning, and stole the hearts of the fash pack. Jokes aside, Chanel’s in-house team peppered us with excitement for Matthieu Blazy’s soon-to-be debut for the Parisian label, which will be gracing our eyes this October. The show, opened by Vittoria Ceretti (after the pigeon, of course), and closed by Mona Tougaard, showcased tulle underlay skirts, enshrouded tweed co-ords, which sat on top of ruffled blouses and audaciously opulent pearl necklaces. It was everything we needed whilst we wait impatiently for Blazy to showcase his capabilities in October.
Skull prints are back on the McQueen runway
Once upon a time, Noughties It-girls came running to McQueen’s skull scarf like moths to a flame – Kate Moss, the Olsen twins, and Sienna Miller, to name a few, they wrapped the Y2K accessory around their necks, and the scarves sold like hot cakes. As a precursor to its revival, A Complete Unknown’s heartthrob Timothée Chalamet sported the scarf a mere fortnight ago, and now, Sean McGirr has officially let the skull and crossbones motif set sail on the runway. Originally seen as a print on a dress for McQueen’s SS2003 collection, McGirr revitalised the print onto mesh blouses, in a timely brat green colourway. Nonetheless, the Irish-designer’s inspiration spanned from dandyism (noting Oscar Wilde’s The Picture of Dorian Grey) to Charles Dickens’s Night Walks. Under a Victorian-inspired backdrop, a portal jutting out of an oak stairwell sat centre stage, as models stepped through it, and took us back to the 19th century. It was an ode to the feminine man, painted with McGirr’s sensitive brushstrokes, and an abundance of ruffled suits.
Alessandro Michele flushes out the haters at Valentino
After his debut ready-to-wear collection for Valentino, Alessandro Michele has received mixed reactions, securing him top spot as the marmite of the fashion industry right now. Some love his work for staying unabashedly maximalist amidst a pool of quiet luxury, clean girl aesthetics, which remain prevalent references for designers. Some criticise him for being too Michele. Well, one way to put these comments to bed was the toilet flushing sound effect that drowned the audience at the beginning of his AW25 offering for Valentino. Set in a fitting Valentino red, gender-neutral bathroom, Michele was thinking of intimacy this season, mixed with themes of gender fluidity – and fluid it was. Undone lace bodysuits, plush fur coats, draped bows, snakeskin, even planting a cat’s face onto a sparkling gown. And of course, what would a Valentino by Alessandro Michele collection be without a mismatched, grandma-curtains-inspired, overly saturated colour palette?
Andreas Kronthaler ties the knot at Vivienne Westwood
Dedicated to the city he calls home, Kronthaler paid homage to the London look this season, a uniform that has been driven, dictated, and championed by Westwood for decades now. Stars were sat front row: Ice Spice, Chappell Roan (who freed the nip in a custom Westwood black slip dress), The Last Dinner Party, and Pink Pantheress, were among the crowds. Traditional menswear codes leapt down the runway – sharply tailored suits in iterations of classic Westwood tartans worked in tandem with elongated ties that stooped to new lows, hanging below models’ crotches. Hats were stretched and came in pairs, as a model washed in an olive tweed suit wore a deep purple fedora, as a smaller version teetered on top; ready to fall off at any given moment. Kronthaler also gave a nod to the 1989 ‘Sex’ choker, this time reading ‘Chaos’, a fitting term for the legacy that London holds within the fashion landscape. The city’s style oozes chaos, and the beating heart of its energy is an electric pulse created by the powerhouse that was Vivienne Westwood.
All aboard the Louis Vuitton shuttle bus
Paris Fashion Week is the pinnacle of splendour, opulence, and excess—couture at its most unattainable, A-listers scattered across every cobbled arrondissement. So, imagine the shock when guests of Louis Vuitton’s AW25 show found themselves herded onto a shuttle bus bound for a former train company HQ next to the Gare du Nord. But Nicolas Ghesquière had a vision: L’Étoile du Nord. The train station as a meeting point, a crossroads of souls, and that ever-familiar sense of wonder that travel evokes. Guests were in for yet another unforgettable chapter of the French Maison.
The collection was a collision of contrasts—gingham ponchos and glittering full-length furs, bouncy tulle skirts cinched with chunky belts, malletage-style bags, earth-toned tie-dyes bleeding into baby blues and crimson reds. How patriotic.
Coperni brought Fortnite to the runway
Packed with editors, celebs, influencers, and industry names-to-know, the faint tapping of joysticks was all that could be heard in the Adidas Arena before the Coperni AW25 show began. 200 gamers, Twitch streamers, and videogame fans sat in-between audience members, engulfed in their relevant livestreams and PC screens, which were dabbling in Resident Evil, Fortnite, Rocket League and more. Sébastian Meyer and Arnaud Vailant harked to the ‘90s this season, referencing the electricity of a LAN (Local Area Network) party, with the aim to materialise the fast-paced environment of the gaming world, illuminating the human aspects of technology. Outfits mimicked that of gaming legends Lara Croft, Alice from Resident Evil, Kate Libby from Hackers, and more. Whilst these names may sound foreign to a fashion-head who has never owned a gaming console in her life, one thing remains certain: if Coperni can make gaming cool, then maybe it’s time we invested in an Xbox.
Getting bath-ready at Victoria Beckham
Victoria Beckham must be sensing that fashion month is almost over, and we’re all in need of a good, long, pamper evening to soak the all-nighters out of our system, as the former WAG closed her AW25 show with a bathrobe that was reworked as into a VB monogrammed pussy-bow jacket. Designing for the needs of the modern woman, Beckham gave us a fresh take on menswear tailoring, buttermilk yellow maxi dresses, thigh-high stockings paired with slouchy grey jumper dresses (think a cooler version of Ariana Grande’s jumper-dress era). Thin belts slivered their way onto cinched tailoring, as yellow ballet flats peeked underneath oversized trousers. It’s no wonder that Victoria Beckham’s beauty line has become a cult-favourite for the girls, the designer knows how to cater to women without shouting it in our faces, Victoria Beckham just gets it.
Rick Owens was too Hot-To-Go for AW25
What’s black, leather, and cool as can be? No, it’s not the queue for Berghain, it is of course, the Rick Owens army. For AW25, the designer not only recycled his press release from the menswear show that showed 6 weeks prior, but he gave us more of what he does best. There were more laser-cut leather garments made in collaboration with Victor Clavelly (remember those balloon-esque boots that moved like a jelly dessert from last season?), this time, skirts and dresses were the duo’s latest victim. Oh, and did we mention the star-studded front row? Sat within the walls of the Palais de Tokyo, was a heavily pregnant Eartheater, Bryn Taubensee and Patrick DiCaprio from Vaquera, wife of Rick, Michèle Lamy, and a luminescent Chappell Roan. The pop sensation, girl-of-now, who is yet to give us a single outfit flop, donned Rick’s silver Prong dress (the one that celebrities can’t keep their hands off for press events). Her makeup, however, was something otherworldly – white contacts, thick eyeliner wings, and black dots which chased around her face. She may have looked like an alien, the only thing alien to Chappell is looking bad.
Miu Miu is all grown up!
Miuccia Prada has an innate ability to embrace the intimacies of womanhood in the nichest of nooks and crannies within contemporary culture, yet her eclectic, weird-girl, visual language brings a certain energy that women and girls alike can all relate to. It’s a certain je ne sais quoi that we can’t put our finger on, that makes the Miu Miu house codes so easy to obsess over, and we crave it. This season, Miuccia is leaving girlhood, and bringing Miu Miu into her adulthood era, taking garments typical of female-wear and using them as vehicles to question their relevance in women’s lives. Take a bra, for example, how does it intertwine with the female experience? Miuccia hiked them up on models’ torsos, peeking out from shirting that grazed its underwire, brooches hastily placed themselves on knitted cardigans and skew-whiff co-ords, sitting amidst fur gilets. And of course, the arrival of a new era for Miu Miu calls for a new muse to showcase this new energy, we’ve had Emma Corrin, we’ve seen Ethel cain, who next? We ask Miuccia, and she answers – enter Sarah Paulson. From American Horror Story and Bird Box, to Ocean’s 8, Paulson’s enigmatic spirit made the perfect pairing for Miu Miu’s newfound maturity. Like proud parents, we sit and watch Miu Miu flourish as she grows up, and we can’t wait to see where she goes next!
Off-White’s State of Resistance
Ib Kamara’s “State of Resistance” was less a collection, more a manifesto—an odyssey stitched in defiance. Ghanaian eagles and stars soared through the precision of uniform tailoring, disrupted by the raw snarl of punk. Then came a legion of phantoms—neoprene-clad, shoulders sharp enough to cut through time, their bomber jackets hinting at a chic extraterrestrial uprising. Structure softened, warped by sci-fi murmurings and veiled in protective plastic—future armour for the modern drifter. Sporty silhouettes blurred the lines between track and interstellar travel, while womenswear leaned sculptural, robotic—like a cyborg couturier let loose. And to crown it all, Burna Boy, decked out in an all black leather piece, descended to close the show, marking his runway debut as Off-White once again inforces its unwavering commitment to a bold, future-facing vision.
Balmain’s cozy collection
Olivier Rousteing flipped the script, proving comfort’s a couture commandment. Winged cardigans, slouchy sweaters, intense draping, forget frumpy. A high-low tango where snug knits met gold bangles, buckle belts and boho boots, Balmain is giving us full permission to take cosiness to the streets once again. Textures waltzed across the collection—pleats, embossing, ruching—before tangerine accents crashed the party, followed by fuzzy coats, statement boots so high you could swim in them. Monochrome magic, Balmain to a tee; zebra trenches, cargo jumpsuits, woven leather. Breathe: you finally have a reason to resurrect “model off-duty” as your style personality.
Acne Studios: Raw and Rebellious
Acne’s AW25 was all about skin. Johnny Johansson’s created an urban-natural paradox, where teddy-bear unitards sliced to the hip, sheer maxis, and knee-cap cutouts for the truly daring. Silhouettes of ‘70s power suits reimagined for the modern muse, along with relaxed pieces like flowing dresses effortlessly thrown on, embracing the absurd and never losing its edge. The real drama of the show was texture, crinkled leather, faux fur, and flocked denim. This Acne message of embracing the clash and unexpected created a playful tension between city grit and natures serenity.
STELLACORP – Office Anarchy in Paris
Stella McCartney stormed Paris Fashion week, transforming a high-rise into a chic, corporate playground. Tom Ford, Ice Spice, and Richard E. Grant perched on swivel chairs, amidst branded mugs and “The Stella Times”. McCartney, the ultimate multi-tasker, unveiled her FW25 vision: workwear with a wink. It gave us power shoulders and thigh-high latex booties, faux fur, and “SLIPPERY WHEN WET” tees for after-hours anarchy. Fringed denim, gradient snakeskin, and lace numbers daring to disrupt the daily grind. And just when you thought the memo was strictly business? Pole dancers emerged, proving even the most buttoned-up office has a wild side. McCartney’s message? Work hard, play harder, and never forget your inner siren.
Words – Freya Goodchild-Bridge and Isabella Ardeman
in HTML format, including tags, to make it appealing and easy to read for Japanese-speaking readers aged 20 to 40 interested in fashion. Organize the content with appropriate headings and subheadings (h1, h2, h3, h4, h5, h6), translating all text, including headings, into Japanese. Retain any existing
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Au Revoir Paris, it’s been a fun-filled week – here are our top moments from the French extravaganza.
Ooh la la! The sun is setting on the Seine, Paris Fashion Week’s doors are closing, and what a time it’s been. No, the unexploded WWII bomb that cancelled all Eurostars to Paris wasn’t going to cramp our style, nor was the diva who made their debut on the Chanel catwalk (we’re of course referencing the pigeon who became an overnight star). Creative director debuts were aplenty, hometown heroes held their own, as did up-and-comers, are you ready for the heat? Hold onto your popcorn, and read on to get your scoop…
J’adore Dior, and so should you
To all of our archival baddies, you can officially put a hold on your Vestiaire searches, as Maria Grazia Chiuri has reprised possibly one of the most sought after, cult-favourite Dior garms… the J’adore Dior baby tee is back, and it feels so good! Harking to John Galliano’s tenure at Dior, MGC’s offering this season came with a side of ruffles, saddle bags, and corsetry. The designer has been dipping her toes in costume design, referencing Virginia Woolf’s 1928 Orlando novel as a key inspiration for the collection, where the protagonist explores several centuries, and genders, throughout his life. Dior-isms were evident from start to finish, and it was quite possibly MGC’s most enticing collection yet for Dior (we’ve never added so many looks to our favourites folder, that’s for certain).
DIVA spotted at the Chanel runway
Courtesy of Chanel
The new Chanel muse hath arrived on our runway: she’s unapologetically authentic, doused in a generous portion of greige, and is bringing back the head-bob. No, we’re not talking about the next soon-to-be supermodel to keep an eye on, we’re talking about the pigeon who unknowingly flew onto Chanel’s AW25 runway on Monday morning, and stole the hearts of the fash pack. Jokes aside, Chanel’s in-house team peppered us with excitement for Matthieu Blazy’s soon-to-be debut for the Parisian label, which will be gracing our eyes this October. The show, opened by Vittoria Ceretti (after the pigeon, of course), and closed by Mona Tougaard, showcased tulle underlay skirts, enshrouded tweed co-ords, which sat on top of ruffled blouses and audaciously opulent pearl necklaces. It was everything we needed whilst we wait impatiently for Blazy to showcase his capabilities in October.
Skull prints are back on the McQueen runway
Once upon a time, Noughties It-girls came running to McQueen’s skull scarf like moths to a flame – Kate Moss, the Olsen twins, and Sienna Miller, to name a few, they wrapped the Y2K accessory around their necks, and the scarves sold like hot cakes. As a precursor to its revival, A Complete Unknown’s heartthrob Timothée Chalamet sported the scarf a mere fortnight ago, and now, Sean McGirr has officially let the skull and crossbones motif set sail on the runway. Originally seen as a print on a dress for McQueen’s SS2003 collection, McGirr revitalised the print onto mesh blouses, in a timely brat green colourway. Nonetheless, the Irish-designer’s inspiration spanned from dandyism (noting Oscar Wilde’s The Picture of Dorian Grey) to Charles Dickens’s Night Walks. Under a Victorian-inspired backdrop, a portal jutting out of an oak stairwell sat centre stage, as models stepped through it, and took us back to the 19th century. It was an ode to the feminine man, painted with McGirr’s sensitive brushstrokes, and an abundance of ruffled suits.
Alessandro Michele flushes out the haters at Valentino
After his debut ready-to-wear collection for Valentino, Alessandro Michele has received mixed reactions, securing him top spot as the marmite of the fashion industry right now. Some love his work for staying unabashedly maximalist amidst a pool of quiet luxury, clean girl aesthetics, which remain prevalent references for designers. Some criticise him for being too Michele. Well, one way to put these comments to bed was the toilet flushing sound effect that drowned the audience at the beginning of his AW25 offering for Valentino. Set in a fitting Valentino red, gender-neutral bathroom, Michele was thinking of intimacy this season, mixed with themes of gender fluidity – and fluid it was. Undone lace bodysuits, plush fur coats, draped bows, snakeskin, even planting a cat’s face onto a sparkling gown. And of course, what would a Valentino by Alessandro Michele collection be without a mismatched, grandma-curtains-inspired, overly saturated colour palette?
Andreas Kronthaler ties the knot at Vivienne Westwood
Dedicated to the city he calls home, Kronthaler paid homage to the London look this season, a uniform that has been driven, dictated, and championed by Westwood for decades now. Stars were sat front row: Ice Spice, Chappell Roan (who freed the nip in a custom Westwood black slip dress), The Last Dinner Party, and Pink Pantheress, were among the crowds. Traditional menswear codes leapt down the runway – sharply tailored suits in iterations of classic Westwood tartans worked in tandem with elongated ties that stooped to new lows, hanging below models’ crotches. Hats were stretched and came in pairs, as a model washed in an olive tweed suit wore a deep purple fedora, as a smaller version teetered on top; ready to fall off at any given moment. Kronthaler also gave a nod to the 1989 ‘Sex’ choker, this time reading ‘Chaos’, a fitting term for the legacy that London holds within the fashion landscape. The city’s style oozes chaos, and the beating heart of its energy is an electric pulse created by the powerhouse that was Vivienne Westwood.
All aboard the Louis Vuitton shuttle bus
Paris Fashion Week is the pinnacle of splendour, opulence, and excess—couture at its most unattainable, A-listers scattered across every cobbled arrondissement. So, imagine the shock when guests of Louis Vuitton’s AW25 show found themselves herded onto a shuttle bus bound for a former train company HQ next to the Gare du Nord. But Nicolas Ghesquière had a vision: L’Étoile du Nord. The train station as a meeting point, a crossroads of souls, and that ever-familiar sense of wonder that travel evokes. Guests were in for yet another unforgettable chapter of the French Maison.
The collection was a collision of contrasts—gingham ponchos and glittering full-length furs, bouncy tulle skirts cinched with chunky belts, malletage-style bags, earth-toned tie-dyes bleeding into baby blues and crimson reds. How patriotic.
Coperni brought Fortnite to the runway
Packed with editors, celebs, influencers, and industry names-to-know, the faint tapping of joysticks was all that could be heard in the Adidas Arena before the Coperni AW25 show began. 200 gamers, Twitch streamers, and videogame fans sat in-between audience members, engulfed in their relevant livestreams and PC screens, which were dabbling in Resident Evil, Fortnite, Rocket League and more. Sébastian Meyer and Arnaud Vailant harked to the ‘90s this season, referencing the electricity of a LAN (Local Area Network) party, with the aim to materialise the fast-paced environment of the gaming world, illuminating the human aspects of technology. Outfits mimicked that of gaming legends Lara Croft, Alice from Resident Evil, Kate Libby from Hackers, and more. Whilst these names may sound foreign to a fashion-head who has never owned a gaming console in her life, one thing remains certain: if Coperni can make gaming cool, then maybe it’s time we invested in an Xbox.
Getting bath-ready at Victoria Beckham
Victoria Beckham must be sensing that fashion month is almost over, and we’re all in need of a good, long, pamper evening to soak the all-nighters out of our system, as the former WAG closed her AW25 show with a bathrobe that was reworked as into a VB monogrammed pussy-bow jacket. Designing for the needs of the modern woman, Beckham gave us a fresh take on menswear tailoring, buttermilk yellow maxi dresses, thigh-high stockings paired with slouchy grey jumper dresses (think a cooler version of Ariana Grande’s jumper-dress era). Thin belts slivered their way onto cinched tailoring, as yellow ballet flats peeked underneath oversized trousers. It’s no wonder that Victoria Beckham’s beauty line has become a cult-favourite for the girls, the designer knows how to cater to women without shouting it in our faces, Victoria Beckham just gets it.
Rick Owens was too Hot-To-Go for AW25
What’s black, leather, and cool as can be? No, it’s not the queue for Berghain, it is of course, the Rick Owens army. For AW25, the designer not only recycled his press release from the menswear show that showed 6 weeks prior, but he gave us more of what he does best. There were more laser-cut leather garments made in collaboration with Victor Clavelly (remember those balloon-esque boots that moved like a jelly dessert from last season?), this time, skirts and dresses were the duo’s latest victim. Oh, and did we mention the star-studded front row? Sat within the walls of the Palais de Tokyo, was a heavily pregnant Eartheater, Bryn Taubensee and Patrick DiCaprio from Vaquera, wife of Rick, Michèle Lamy, and a luminescent Chappell Roan. The pop sensation, girl-of-now, who is yet to give us a single outfit flop, donned Rick’s silver Prong dress (the one that celebrities can’t keep their hands off for press events). Her makeup, however, was something otherworldly – white contacts, thick eyeliner wings, and black dots which chased around her face. She may have looked like an alien, the only thing alien to Chappell is looking bad.
Miu Miu is all grown up!
Miuccia Prada has an innate ability to embrace the intimacies of womanhood in the nichest of nooks and crannies within contemporary culture, yet her eclectic, weird-girl, visual language brings a certain energy that women and girls alike can all relate to. It’s a certain je ne sais quoi that we can’t put our finger on, that makes the Miu Miu house codes so easy to obsess over, and we crave it. This season, Miuccia is leaving girlhood, and bringing Miu Miu into her adulthood era, taking garments typical of female-wear and using them as vehicles to question their relevance in women’s lives. Take a bra, for example, how does it intertwine with the female experience? Miuccia hiked them up on models’ torsos, peeking out from shirting that grazed its underwire, brooches hastily placed themselves on knitted cardigans and skew-whiff co-ords, sitting amidst fur gilets. And of course, the arrival of a new era for Miu Miu calls for a new muse to showcase this new energy, we’ve had Emma Corrin, we’ve seen Ethel cain, who next? We ask Miuccia, and she answers – enter Sarah Paulson. From American Horror Story and Bird Box, to Ocean’s 8, Paulson’s enigmatic spirit made the perfect pairing for Miu Miu’s newfound maturity. Like proud parents, we sit and watch Miu Miu flourish as she grows up, and we can’t wait to see where she goes next!
Off-White’s State of Resistance
Ib Kamara’s “State of Resistance” was less a collection, more a manifesto—an odyssey stitched in defiance. Ghanaian eagles and stars soared through the precision of uniform tailoring, disrupted by the raw snarl of punk. Then came a legion of phantoms—neoprene-clad, shoulders sharp enough to cut through time, their bomber jackets hinting at a chic extraterrestrial uprising. Structure softened, warped by sci-fi murmurings and veiled in protective plastic—future armour for the modern drifter. Sporty silhouettes blurred the lines between track and interstellar travel, while womenswear leaned sculptural, robotic—like a cyborg couturier let loose. And to crown it all, Burna Boy, decked out in an all black leather piece, descended to close the show, marking his runway debut as Off-White once again inforces its unwavering commitment to a bold, future-facing vision.
Balmain’s cozy collection
Olivier Rousteing flipped the script, proving comfort’s a couture commandment. Winged cardigans, slouchy sweaters, intense draping, forget frumpy. A high-low tango where snug knits met gold bangles, buckle belts and boho boots, Balmain is giving us full permission to take cosiness to the streets once again. Textures waltzed across the collection—pleats, embossing, ruching—before tangerine accents crashed the party, followed by fuzzy coats, statement boots so high you could swim in them. Monochrome magic, Balmain to a tee; zebra trenches, cargo jumpsuits, woven leather. Breathe: you finally have a reason to resurrect “model off-duty” as your style personality.
Acne Studios: Raw and Rebellious
Acne’s AW25 was all about skin. Johnny Johansson’s created an urban-natural paradox, where teddy-bear unitards sliced to the hip, sheer maxis, and knee-cap cutouts for the truly daring. Silhouettes of ‘70s power suits reimagined for the modern muse, along with relaxed pieces like flowing dresses effortlessly thrown on, embracing the absurd and never losing its edge. The real drama of the show was texture, crinkled leather, faux fur, and flocked denim. This Acne message of embracing the clash and unexpected created a playful tension between city grit and natures serenity.
STELLACORP – Office Anarchy in Paris
Stella McCartney stormed Paris Fashion week, transforming a high-rise into a chic, corporate playground. Tom Ford, Ice Spice, and Richard E. Grant perched on swivel chairs, amidst branded mugs and “The Stella Times”. McCartney, the ultimate multi-tasker, unveiled her FW25 vision: workwear with a wink. It gave us power shoulders and thigh-high latex booties, faux fur, and “SLIPPERY WHEN WET” tees for after-hours anarchy. Fringed denim, gradient snakeskin, and lace numbers daring to disrupt the daily grind. And just when you thought the memo was strictly business? Pole dancers emerged, proving even the most buttoned-up office has a wild side. McCartney’s message? Work hard, play harder, and never forget your inner siren.
Words – Freya Goodchild-Bridge and Isabella Ardeman
and integrate them seamlessly into the new content without adding new tags. Ensure the new content is fashion-related, written entirely in Japanese, and approximately 1500 words. Conclude with a “結論” section and a well-formatted “よくある質問” section. Avoid including an introduction or a note explaining the process.
