Rewrite and translate this title Ton Is The Interiors Mag That’s Doing Things Differently to Japanese between 50 and 60 characters. Do not include any introductory or extra text; return only the title in Japanese.

Now on its third issue, the magazine’s name is derived from editor-in-chief, Jermaine Gallacher, “wanting something that sounded weighty”, which reflects Ton’s approach to crafting its content. While traditional, glossy interiors mags may only have room for two spreads to illustrate a glamorous home somewhere in the South of France, Ton works more intimately, dedicating sprawling stories to the humble abodes of a litany of intriguing, global creatives. 

“I was just pretty bored with everything that was out there,” says Gallacher on starting the mag. “I was seeing a lot of good stuff that wasn’t getting published. I thought it was the right time [for the magazine] because, as much as it’s about interiors, it’s also about makers and people doing great things.”

Raised in Brighton, Gallacher – who is also both a furniture and interior designer, plus a design dealer by trade – was set on the mag having a sense of humour, too. “I didn’t want to tell people what to buy nor have shopping pages because I think there’s enough of that,” he says. “Magazines cost a lot to print and if you’re going to do that, you might as well make it good. I sometimes wanted it to take the piss. It’d be funny and not take itself too seriously, but also take itself really seriously. To have a beautiful point of view is important.” 

Enlisting an impressive masthead that has included Dazed’s Ted Stansfield, art director Rory Gleeson and editor Billie Muraben, the troupe has ventured far and wide to capture the homes of future-facing culture-shifters. 

There was the artist George Rouy, who has transformed a former church in Faversham, in Kent, into a marble-clad space that looks more like a gallery space than a house of worship. Then there’s musician Celeste, whose London Fields home, featuring giant Barnaby Lewis-designed steel wardrobes, was the cover story for the mag’s inaugural issue. Elsewhere, the team have featured the colourful South London home of artist Adam Christensen, ventured inside the cluttered enclave of experimental design studio The House of Beauty and Culture member Dave Baby and taken readers to the pretty pink Stoke Newington flat of fashion designer Edward Meadham.

Away from the British Isles, Ton has also spotlighted the angular atelier home in Munich of the lighting designer Jan Roth and the artist Scarlet Berner, and has headed as far as upstate New York to capture interior designer Ben Bloomstein’s cosy home.

Now on its third issue, the magazine’s name is derived from editor-in-chief, Jermaine Gallacher, “wanting something that sounded weighty”, which reflects Ton’s approach to crafting its content. While traditional, glossy interiors mags may only have room for two spreads to illustrate a glamorous home somewhere in the South of France, Ton works more intimately, dedicating sprawling stories to the humble abodes of a litany of intriguing, global creatives. 

“I was just pretty bored with everything that was out there,” says Gallacher on starting the mag. “I was seeing a lot of good stuff that wasn’t getting published. I thought it was the right time [for the magazine] because, as much as it’s about interiors, it’s also about makers and people doing great things.”

Raised in Brighton, Gallacher – who is also both a furniture and interior designer, plus a design dealer by trade – was set on the mag having a sense of humour, too. “I didn’t want to tell people what to buy nor have shopping pages because I think there’s enough of that,” he says. “Magazines cost a lot to print and if you’re going to do that, you might as well make it good. I sometimes wanted it to take the piss. It’d be funny and not take itself too seriously, but also take itself really seriously. To have a beautiful point of view is important.” 

Enlisting an impressive masthead that has included Dazed’s Ted Stansfield, art director Rory Gleeson and editor Billie Muraben, the troupe has ventured far and wide to capture the homes of future-facing culture-shifters. 

There was the artist George Rouy, who has transformed a former church in Faversham, in Kent, into a marble-clad space that looks more like a gallery space than a house of worship. Then there’s musician Celeste, whose London Fields home, featuring giant Barnaby Lewis-designed steel wardrobes, was the cover story for the mag’s inaugural issue. Elsewhere, the team have featured the colourful South London home of artist Adam Christensen, ventured inside the cluttered enclave of experimental design studio The House of Beauty and Culture member Dave Baby and taken readers to the pretty pink Stoke Newington flat of fashion designer Edward Meadham.

Away from the British Isles, Ton has also spotlighted the angular atelier home in Munich of the lighting designer Jan Roth and the artist Scarlet Berner, and has headed as far as upstate New York to capture interior designer Ben Bloomstein’s cosy home.