ニューヨークファッションウィークSS27の注目ショー

Every season like clockwork, the fashion circuit repeats the same tired proclamation: New York Fashion Week is so dead. And while it may be true that New York doesn’t have the luxury of Paris or the glamour of Milan, NYFW is something special in its own right; aside from being a major fashion capital, the city has always fostered experimental style. 

Over the past few days, the calendar was filled with both familiar names and newer ones, with no shortage of interesting collections to dissect. From the grungy nostalgia of 7 For All Mankind to the gorpcore energy of Jane Wade, there was something for everyone this year, even NYFW’s biggest haters. 

Below are the SS27 moments you might have missed.

Rachel Scott knows that, to the New York woman, freedom is paramount. For her second collection as the creative director of Proenza Schouler, Scott took inspiration from the rule-bending way women dress in New York, a city where dressing sharp can still mean doing something unexpected. Structured ankle-length coats and fitted suit jackets were jazzed up with funky animal prints and bright yellows, while oversized blazers and billowing button-downs were paired with poofy skirts and leg-baring bodysuits. The ready-to-wear collection marked Scott’s sophomore body of work with the house, which the Jamaican-American designer, who’s also the mastermind behind Diotima, took over in 2025. For this most recent showing, Scott also introduced the PS1 Walker, her own reimagining of Proenza’s beloved PS1 bag, designed in collaboration with three-time CFDA Accessory Designer of the Year Reed Krakoff. The new styles debuted in none other than a former Barney’s, the first store to carry Proenza Schouler.

If you’re chasing the feeling of post-run euphoria, getting your hands on Jane Wade’s SS27 collection might be a good place to start. Titled The Riverbed, Wade’s latest collection is the result of her time spent working alongside Google’s product and innovation teams as a recipient of the CFDA x Google Fashion Fellowship. Described as “a return to grounded earth after a long trail run,” the collection’s theme sees an afternoon at the metaphorical riverbed as “a meditation on amphibious femininity.” Thus, the designs themselves are both technical and environmental, with cargo bottoms, muted earth tones, and chain pieces that sparkle like minerals appearing on the runway. The outdoorswoman energy was only strengthened by the inclusion of the Keen water shoes, also designed by Wade and created for wet, uneven terrain. Of course, one can’t enter The Riverbed unprepared, so dry bags carrying body-care kits, rolled-towel harnesses holding body wash, and Hydrojug water bottles served as accessories, too.

For her fourth collection at Calvin Klein, creative director Veronica Leoni opted to focus solely on womenswear, taking inspiration from the woman inside the body. “My minimalism begins there, in the relation between design and a body, with nothing in between,” Leoni stated in the show notes. “Take everything away. What is left is desire.” The collection was indeed quite minimalist and classic, with the sharp tailoring, clean lines and bare-bones elegance the label is known for. The show, set in a warehouse in Chelsea, was partially soundtracked by a monologue by Solange, which seemed to vocalise the collection’s entire ethos: “The truest practise of minimalism is determining what is 100 per cent necessary.”

AREA threw a party for SS27, where dresses, skirts and tops resembling metallic confetti waltzed down the runway. For the label, helmed by creative director Nicholas Aburn, it was something of a return to New York, considering their design studio moved back from Milan to New York this summer. There was an undeniable liveliness to the pieces, which were as wide-ranging as a dress crafted with plastic tubes to a slinky tank top and denim cut-offs. Along with all the dazzling metallic numbers, lace had a big moment in the collection too, appearing in Victorian-esque capris, on the trim of shorts and underneath ruffled dresses.  

Held at a greenhouse in Greenpoint, the location of Rio’s SS27 collection was perhaps a foreshadowing of what was to come, considering the many odes to nature that dominated the collection. Nipples were covered by adhesive pink flowers, and bare chests were decorated with clear animal print tops, giving the effect of a second skin. The runway burst like a garden in full bloom, with floral designs featured in nearly every look. While the collection was heavily skin-bearing, more buttoned-up pieces got the tropical treatment too, including structured blazers superimposed with vibrant images of fish and frogs.

Indie sleaze lovers were well fed at 7 For All Mankind’s SS27 show, which saw the reintroduction of one of the 2000s most beloved accessories: the skinny scarf. Some outfits, like tight leather pants styled with suede knee-high boots, felt fit for a night at an early-00s club, while others, like a pinstripe vest worn with matching capris and sky-high pumps, made a strong case for the “office siren” aesthetic. The appearance of Ray-Ban aviators and blazers worn with mini shorts only firmed up the nostalgic energy, which, if 7 For All Mankind has anything to say about it, isn’t going away anytime soon.

What happens when the New York party girl throws in the struggle towel and decides to marry rich? You get IVORY TOWER, Ben Doctor’s SS27 collection based on that specific premise. Combining the aesthetics of both the trophy wife and the party girl, IVORY TOWER brought low-slung capris, sweaters with trophy imagery and colourful sequined pieces to embody the aesthetic of a woman caught between worlds.

It was a bug’s life at Thome Browne SS27, where references to creepy crawlers were abundant. Insects appeared to be the major theme of the designer’s most recent collection, set at showspace with cocoon and leaf sculptures so large that they made guests themselves feel like itty-bitty creatures. The garden life references ranged from subtle, like a plaid trench coat with an embroidered sunflower, to dramatic, like a ballooning dress with a ladybug-printed skirt.

For its SS27 collection Botanica, Tyler McGillivary took a more tech-addled approach to this fashion week’s nature obsession, setting the collection inside an imagined virtual world that combined fantasy and technology. Florals were of course abundant, showing up on belted midi dresses and strappy bras, but they appeared through an almost holograph-like lens, giving the effect of a garden locked inside a video game.

“Marie Antoinette meets Jersey Shore” is how Ella Mae describes her debut NYFW collection, PEACE ON EARTH!! One of the most exciting designers to watch right now, Mae debuted baggy graphic tees, sheer ruffled skirts and pink sweatpants for a punkish take on romanticism.

Every season like clockwork, the fashion circuit repeats the same tired proclamation: New York Fashion Week is so dead. And while it may be true that New York doesn’t have the luxury of Paris or the glamour of Milan, NYFW is something special in its own right; aside from being a major fashion capital, the city has always fostered experimental style. 

Over the past few days, the calendar was filled with both familiar names and newer ones, with no shortage of interesting collections to dissect. From the grungy nostalgia of 7 For All Mankind to the gorpcore energy of Jane Wade, there was something for everyone this year, even NYFW’s biggest haters. 

Below are the SS27 moments you might have missed.

Rachel Scott knows that, to the New York woman, freedom is paramount. For her second collection as the creative director of Proenza Schouler, Scott took inspiration from the rule-bending way women dress in New York, a city where dressing sharp can still mean doing something unexpected. Structured ankle-length coats and fitted suit jackets were jazzed up with funky animal prints and bright yellows, while oversized blazers and billowing button-downs were paired with poofy skirts and leg-baring bodysuits. The ready-to-wear collection marked Scott’s sophomore body of work with the house, which the Jamaican-American designer, who’s also the mastermind behind Diotima, took over in 2025. For this most recent showing, Scott also introduced the PS1 Walker, her own reimagining of Proenza’s beloved PS1 bag, designed in collaboration with three-time CFDA Accessory Designer of the Year Reed Krakoff. The new styles debuted in none other than a former Barney’s, the first store to carry Proenza Schouler.

If you’re chasing the feeling of post-run euphoria, getting your hands on Jane Wade’s SS27 collection might be a good place to start. Titled The Riverbed, Wade’s latest collection is the result of her time spent working alongside Google’s product and innovation teams as a recipient of the CFDA x Google Fashion Fellowship. Described as “a return to grounded earth after a long trail run,” the collection’s theme sees an afternoon at the metaphorical riverbed as “a meditation on amphibious femininity.” Thus, the designs themselves are both technical and environmental, with cargo bottoms, muted earth tones, and chain pieces that sparkle like minerals appearing on the runway. The outdoorswoman energy was only strengthened by the inclusion of the Keen water shoes, also designed by Wade and created for wet, uneven terrain. Of course, one can’t enter The Riverbed unprepared, so dry bags carrying body-care kits, rolled-towel harnesses holding body wash, and Hydrojug water bottles served as accessories, too.

For her fourth collection at Calvin Klein, creative director Veronica Leoni opted to focus solely on womenswear, taking inspiration from the woman inside the body. “My minimalism begins there, in the relation between design and a body, with nothing in between,” Leoni stated in the show notes. “Take everything away. What is left is desire.” The collection was indeed quite minimalist and classic, with the sharp tailoring, clean lines and bare-bones elegance the label is known for. The show, set in a warehouse in Chelsea, was partially soundtracked by a monologue by Solange, which seemed to vocalise the collection’s entire ethos: “The truest practise of minimalism is determining what is 100 per cent necessary.”

AREA threw a party for SS27, where dresses, skirts and tops resembling metallic confetti waltzed down the runway. For the label, helmed by creative director Nicholas Aburn, it was something of a return to New York, considering their design studio moved back from Milan to New York this summer. There was an undeniable liveliness to the pieces, which were as wide-ranging as a dress crafted with plastic tubes to a slinky tank top and denim cut-offs. Along with all the dazzling metallic numbers, lace had a big moment in the collection too, appearing in Victorian-esque capris, on the trim of shorts and underneath ruffled dresses.  

Held at a greenhouse in Greenpoint, the location of Rio’s SS27 collection was perhaps a foreshadowing of what was to come, considering the many odes to nature that dominated the collection. Nipples were covered by adhesive pink flowers, and bare chests were decorated with clear animal print tops, giving the effect of a second skin. The runway burst like a garden in full bloom, with floral designs featured in nearly every look. While the collection was heavily skin-bearing, more buttoned-up pieces got the tropical treatment too, including structured blazers superimposed with vibrant images of fish and frogs.

Indie sleaze lovers were well fed at 7 For All Mankind’s SS27 show, which saw the reintroduction of one of the 2000s most beloved accessories: the skinny scarf. Some outfits, like tight leather pants styled with suede knee-high boots, felt fit for a night at an early-00s club, while others, like a pinstripe vest worn with matching capris and sky-high pumps, made a strong case for the “office siren” aesthetic. The appearance of Ray-Ban aviators and blazers worn with mini shorts only firmed up the nostalgic energy, which, if 7 For All Mankind has anything to say about it, isn’t going away anytime soon.

What happens when the New York party girl throws in the struggle towel and decides to marry rich? You get IVORY TOWER, Ben Doctor’s SS27 collection based on that specific premise. Combining the aesthetics of both the trophy wife and the party girl, IVORY TOWER brought low-slung capris, sweaters with trophy imagery and colourful sequined pieces to embody the aesthetic of a woman caught between worlds.

It was a bug’s life at Thome Browne SS27, where references to creepy crawlers were abundant. Insects appeared to be the major theme of the designer’s most recent collection, set at showspace with cocoon and leaf sculptures so large that they made guests themselves feel like itty-bitty creatures. The garden life references ranged from subtle, like a plaid trench coat with an embroidered sunflower, to dramatic, like a ballooning dress with a ladybug-printed skirt.

For its SS27 collection Botanica, Tyler McGillivary took a more tech-addled approach to this fashion week’s nature obsession, setting the collection inside an imagined virtual world that combined fantasy and technology. Florals were of course abundant, showing up on belted midi dresses and strappy bras, but they appeared through an almost holograph-like lens, giving the effect of a garden locked inside a video game.

“Marie Antoinette meets Jersey Shore” is how Ella Mae describes her debut NYFW collection, PEACE ON EARTH!! One of the most exciting designers to watch right now, Mae debuted baggy graphic tees, sheer ruffled skirts and pink sweatpants for a punkish take on romanticism.