アナザーマガジン秋/冬2025の購入理由10選

In the stage directions for the first scene of his 1944 play The Glass Menagerie, Tennessee Williams wrote: “memory takes a lot of poetic license. It omits some details; others are exaggerated, according to the emotional value of the articles it touches, for memory is seated predominantly in the heart.” And Memory – as so beautifully encapsulated by Williams above – is the theme around which the Autumn/Winter 2025 issue of AnOther Magazine is built. 

Every issue of AnOther Magazine draws on a fils rouge to facilitate narrative among the immense talents who fill its pages. Through their disparate thought processes and creative universes, they’ve transformed the notion into something specific. “Rarely has their response to a single word been so evocative, so seated in the hearts of all who have worked with it,” says editor-in-chief Susannah Frankel. “Their memories – deep-rooted, poetic, selective – populate this issue, shifting the collective memories of our times, defining this moment and creating new memories for the future.” Here’s what to expect from the issue.

1. The impact of polymath talent, Lisa, one quarter of the blockbuster cultural phenomenon Blackpink, is shaping a young generation and reshaping those that came before. The singer, song-writer, dancer and actor, who is photographed by Johnny Dufort and styled by Katie Shillingford, talks to Hans Ulrich Obrist about her life, her collaborations, her alter egos and career to date. “My collaborative process is very relationship focused. What we always have in common, as artists, is a deep love and respect for our own art as well as each other’s,” she tells Ulrich Obrist. “We begin by working like friends rather than colleagues. From this, the collaboration follows.”  

2. Kirsten Dunst has grown up before our eyes. “Her more than 70 roles to date have encompassed springy cheerleaders and catatonically depressed brides, haunted Southern belles and minimum-wage Florida firecrackers, indulged queens and battle-weary photojournalists, the connective tissue between them a bone-deep lived-in quality and her gift for projecting multiplicities with a look,” writes Hannah Lack, who meets the actor on a cloudless morning in Toluca Lake, Los Angeles. Dunst – here, photographed by Marili Andre with styling by Katie Shillingford – will return to our screens this year in Derek Cianfrance’s Roofman and later in Ruben Östlund’s The Entertainment System Is Down. 

3. Ahead of the release of his latest album, Dev Hynes speaks to Connor Garel about making music, having started out in his bedroom during his early teen years. His prolific career now spans genres from freaked-out punk to slick jazz. He has also written music for film scores (Palo Alto), TV soundtracks (In Treatment) and for other artists (Mariah Carey, FKA Twigs). “The only reason I make music is excavation. To work through things,” Hynes tells Garel. “I’m always thinking about the past.” For this issue, Hynes is photographed by Martina Hoogland Ivanow and styled by Ellie Grace Cumming.

4. “Nicolas Ghesquière has already gone down as one of the truly great designers of our time,” writes Susannah Frankel. In a candid conversation, the designer reflects on memories of inspirations from his childhood and adolescence. “It went from Philip K Dick to Blade Runner. I had the Alien poster. There were Flash Gordon comics. Music was more like the Cure. Grace Jones was huge for me, always.” Not to mention his early obsession with Star Wars and David Lynch’s adaptation of Dune. Ghesquière translates many of these retro-futuristic minutiae into the clothes he makes today. “I thought that the big story of my life was going to be Balenciaga,” he says, looking back on his career. “Now I realise that the big, beautiful story is going to be Louis Vuitton.” Ghesquière’s Autumn/Winter 2025 collection for the house was photographed for this issue by Yorgos Lanthimos and styled by Nell Kalonji.

5. “We designers, when we take over houses, we are the keepers of memories, but we need to take them somewhere else,” Haider Ackermann tells Susannah Frankel in a conversation about his current role, reimagining among the most potent memories of late-20th and early 21st-century fashion – the legacy of Tom Ford. “And what remains in my memory is the importance, the essence.” Ackermann’s debut collection for the house was a standout, photographed and styled for this issue by Willy Vanderperre and Olivier Rizzo. “Perhaps it was just words from our conversations, perhaps it was just the fantasy or the idea that I have about Mr Ford and his universe. Perhaps it wasn’t the clothes … I wanted to honour the man because he put his trust in me.” 

6. Discover the season’s trends in a series of memorable and moving fashion stories by Senta Simond and Emma Wyman, Mark Kean and Robbie Spencer, Zora Sicher and Rebecca Perlmutar, Winter Vandenbrink and Agata Belcen, Larissa Hofmann, John Yuyi, Ben Toms, Joaquín Laguinge, Olimpia Taliani de Marchio and Molly Shillingford, Ola Rindal and Shotaro Yamaguchi, Danielle Neu and Makram Bitar, Daniella Maiorano, Camille Vivier, Lengua, Isabelle Sayer, Marie Deteneuille, Katrien de Blauwer and Raphael Hirsch, Mark Peckmezian and Camille Bidault-Waddington. Viviane Sassen and Katie Shillingford capture the memory of Anna Cleveland, only weeks before the birth of her first child. Panos Yiapanis looks back to 90s Comme des Garçon and Ghesquière’s Balenciaga and to Raf Simons and Veronique Branquinho with Kristen McMenamy and performance artist Sgàire Teàrlag Wood, photographed by Willy Vanderperre.

7. This year, Fendi celebrates its 100th anniversary – and Silvia Venturini Fendi, its artistic director, carries on the house’s name first launched by her grandmother. This season, Venturini Fendi was responsible for a superb women’s ready-to-wear collection to celebrate the centenary, photographed for the pages of this issue by Sharna Osborne with styling by Bianca Raggi. Having worked alongside previous artistic director Kim Jones and, before him, Karl Lagerfeld, Venturini Fendi has many stories to tell. “I love the archive,” Venturini Fendi tells Alexander Fury. “Maybe I see a dress and I remember my mother wearing something similar. I see a coat and I remember the day we went out and she was wearing it. I remember the emotion.”

8. “For centuries we’ve used vaginas and phalluses to connect with the gods,” performance artist Marina Abramović tells Sophie Bew in this issue’s Art Project. “My main statement is it’s not pornography, it’s humanity. This is important.” This autumn, Abramović revisits her seminal 2005 video work Balkan Erotic Epic, an exploration of ancient folklore, as a four-hour immersive performance with more than 75 participants, taking place in Manchester. “Every ritual I’ve chosen to show in this work is real – it’s not invented by me.” 

9. Guest-editing our literary section, Document, this issue is the critically acclaimed author Ocean Vuong. The anthology ranges from the poem Passengers by Denis Johnson to Roland Barthes’s Mourning Diary, The Source of Self-Regard by Toni Morrison and A Confession and Other Religious Writings by Leo Tolstoy, as well as photography by Tommy Kha – it’s love, compassion and provocation that power Vuong’s writing.

10. AnOther Thing I Wanted to Tell You … invites an array of immense talents that span the mediums of storytelling from the written word to moving image. Here, Constance Debré, Don McCullin, Nadia Latif and Warren Ellis among others discuss the memories that inspire them in their work today – from person to project and place. They are captured by the photographer and writer, Lina Schenynius, who, too, shares a body of text that is important to her, accompanied by a self-portrait.

The Autumn/Winter 2025 issue of AnOther Magazine is on sale internationally now. Buy a copy here.

In the stage directions for the first scene of his 1944 play The Glass Menagerie, Tennessee Williams wrote: “memory takes a lot of poetic license. It omits some details; others are exaggerated, according to the emotional value of the articles it touches, for memory is seated predominantly in the heart.” And Memory – as so beautifully encapsulated by Williams above – is the theme around which the Autumn/Winter 2025 issue of AnOther Magazine is built. 

Every issue of AnOther Magazine draws on a fils rouge to facilitate narrative among the immense talents who fill its pages. Through their disparate thought processes and creative universes, they’ve transformed the notion into something specific. “Rarely has their response to a single word been so evocative, so seated in the hearts of all who have worked with it,” says editor-in-chief Susannah Frankel. “Their memories – deep-rooted, poetic, selective – populate this issue, shifting the collective memories of our times, defining this moment and creating new memories for the future.” Here’s what to expect from the issue.

1. The impact of polymath talent, Lisa, one quarter of the blockbuster cultural phenomenon Blackpink, is shaping a young generation and reshaping those that came before. The singer, song-writer, dancer and actor, who is photographed by Johnny Dufort and styled by Katie Shillingford, talks to Hans Ulrich Obrist about her life, her collaborations, her alter egos and career to date. “My collaborative process is very relationship focused. What we always have in common, as artists, is a deep love and respect for our own art as well as each other’s,” she tells Ulrich Obrist. “We begin by working like friends rather than colleagues. From this, the collaboration follows.”  

2. Kirsten Dunst has grown up before our eyes. “Her more than 70 roles to date have encompassed springy cheerleaders and catatonically depressed brides, haunted Southern belles and minimum-wage Florida firecrackers, indulged queens and battle-weary photojournalists, the connective tissue between them a bone-deep lived-in quality and her gift for projecting multiplicities with a look,” writes Hannah Lack, who meets the actor on a cloudless morning in Toluca Lake, Los Angeles. Dunst – here, photographed by Marili Andre with styling by Katie Shillingford – will return to our screens this year in Derek Cianfrance’s Roofman and later in Ruben Östlund’s The Entertainment System Is Down. 

3. Ahead of the release of his latest album, Dev Hynes speaks to Connor Garel about making music, having started out in his bedroom during his early teen years. His prolific career now spans genres from freaked-out punk to slick jazz. He has also written music for film scores (Palo Alto), TV soundtracks (In Treatment) and for other artists (Mariah Carey, FKA Twigs). “The only reason I make music is excavation. To work through things,” Hynes tells Garel. “I’m always thinking about the past.” For this issue, Hynes is photographed by Martina Hoogland Ivanow and styled by Ellie Grace Cumming.

4. “Nicolas Ghesquière has already gone down as one of the truly great designers of our time,” writes Susannah Frankel. In a candid conversation, the designer reflects on memories of inspirations from his childhood and adolescence. “It went from Philip K Dick to Blade Runner. I had the Alien poster. There were Flash Gordon comics. Music was more like the Cure. Grace Jones was huge for me, always.” Not to mention his early obsession with Star Wars and David Lynch’s adaptation of Dune. Ghesquière translates many of these retro-futuristic minutiae into the clothes he makes today. “I thought that the big story of my life was going to be Balenciaga,” he says, looking back on his career. “Now I realise that the big, beautiful story is going to be Louis Vuitton.” Ghesquière’s Autumn/Winter 2025 collection for the house was photographed for this issue by Yorgos Lanthimos and styled by Nell Kalonji.

5. “We designers, when we take over houses, we are the keepers of memories, but we need to take them somewhere else,” Haider Ackermann tells Susannah Frankel in a conversation about his current role, reimagining among the most potent memories of late-20th and early 21st-century fashion – the legacy of Tom Ford. “And what remains in my memory is the importance, the essence.” Ackermann’s debut collection for the house was a standout, photographed and styled for this issue by Willy Vanderperre and Olivier Rizzo. “Perhaps it was just words from our conversations, perhaps it was just the fantasy or the idea that I have about Mr Ford and his universe. Perhaps it wasn’t the clothes … I wanted to honour the man because he put his trust in me.” 

6. Discover the season’s trends in a series of memorable and moving fashion stories by Senta Simond and Emma Wyman, Mark Kean and Robbie Spencer, Zora Sicher and Rebecca Perlmutar, Winter Vandenbrink and Agata Belcen, Larissa Hofmann, John Yuyi, Ben Toms, Joaquín Laguinge, Olimpia Taliani de Marchio and Molly Shillingford, Ola Rindal and Shotaro Yamaguchi, Danielle Neu and Makram Bitar, Daniella Maiorano, Camille Vivier, Lengua, Isabelle Sayer, Marie Deteneuille, Katrien de Blauwer and Raphael Hirsch, Mark Peckmezian and Camille Bidault-Waddington. Viviane Sassen and Katie Shillingford capture the memory of Anna Cleveland, only weeks before the birth of her first child. Panos Yiapanis looks back to 90s Comme des Garçon and Ghesquière’s Balenciaga and to Raf Simons and Veronique Branquinho with Kristen McMenamy and performance artist Sgàire Teàrlag Wood, photographed by Willy Vanderperre.

7. This year, Fendi celebrates its 100th anniversary – and Silvia Venturini Fendi, its artistic director, carries on the house’s name first launched by her grandmother. This season, Venturini Fendi was responsible for a superb women’s ready-to-wear collection to celebrate the centenary, photographed for the pages of this issue by Sharna Osborne with styling by Bianca Raggi. Having worked alongside previous artistic director Kim Jones and, before him, Karl Lagerfeld, Venturini Fendi has many stories to tell. “I love the archive,” Venturini Fendi tells Alexander Fury. “Maybe I see a dress and I remember my mother wearing something similar. I see a coat and I remember the day we went out and she was wearing it. I remember the emotion.”

8. “For centuries we’ve used vaginas and phalluses to connect with the gods,” performance artist Marina Abramović tells Sophie Bew in this issue’s Art Project. “My main statement is it’s not pornography, it’s humanity. This is important.” This autumn, Abramović revisits her seminal 2005 video work Balkan Erotic Epic, an exploration of ancient folklore, as a four-hour immersive performance with more than 75 participants, taking place in Manchester. “Every ritual I’ve chosen to show in this work is real – it’s not invented by me.” 

9. Guest-editing our literary section, Document, this issue is the critically acclaimed author Ocean Vuong. The anthology ranges from the poem Passengers by Denis Johnson to Roland Barthes’s Mourning Diary, The Source of Self-Regard by Toni Morrison and A Confession and Other Religious Writings by Leo Tolstoy, as well as photography by Tommy Kha – it’s love, compassion and provocation that power Vuong’s writing.

10. AnOther Thing I Wanted to Tell You … invites an array of immense talents that span the mediums of storytelling from the written word to moving image. Here, Constance Debré, Don McCullin, Nadia Latif and Warren Ellis among others discuss the memories that inspire them in their work today – from person to project and place. They are captured by the photographer and writer, Lina Schenynius, who, too, shares a body of text that is important to her, accompanied by a self-portrait.

The Autumn/Winter 2025 issue of AnOther Magazine is on sale internationally now. Buy a copy here.