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Craig Green’s return to Paris for SS26 felt like flipping a cherished vinyl record to the B-side again and again: familiar melodies reshaped into something intriguingly new. “Like sand gathered in pockets and hems, outfits remember things,” wrote Green in the show notes, and that was visibly evident from the start. The runway was dusted with fine, raw yellow sand (the type you see in an hourglass), evoking a sense of memory and atmosphere. After all, reflection and transformation were the mood board for the collection.
Drawing inspiration from The Beatles’ late-1960s psychedelic surge, the British designer spoke backstage about their remarkable creative burst, a spirit that infused his work with layered textures and unexpected combinations. Military-style parkas blended seamlessly into skirts, shirts were embellished with vintage floral appliqués, and airy knits featured deliberate tears along the plackets. Sand was also implemented physically into the collection, cuddled in pockets and hems.
The garments carried a sense of familiarity tinged with the uncanny, as if a beloved tune had been played in reverse. Repeated collars, reimagined seams, and sausage-shaped drawcords dangled playfully, while 3D floral knitwear seemed to blossom spontaneously overnight.
One of the most striking details was the models’ eyewear: tiny LED lights stretched across their faces, casting a faint glow that pierced the muted palette. Green explained these narrow beams symbolised “wide eyes drawing fresh light, revealing new shapes,” both literally and metaphorically illuminating the collection.
A highlight was a sandblasted parka inspired by fishermen’s attire, softened by weathered textures and accented with Alpine floral belts. Later, coat-length dreamcoats burst forth in vivid neon florals reminiscent of dyed bedsheets, showcasing Green’s delight in pushing creative boundaries.
Time and its flowing — the past and the present — seemed to connect the collection in ways that were more than literary. Yet, instead of indulging in nostalgia, Green reinterpreted the era, immersing himself in youthful energy and creative passion. Each look balanced a sense of déjà vu with fresh innovation, a hallmark of a designer who thrives on continual reinvention.
Discover the collection here.
photography. Umberto Fratini
words. Gennaro Costanzo
The post craig green ss26 | reinventing the déjà vu appeared first on Schön! Magazine.
in HTML format, including tags, to make it appealing and easy to read for Japanese-speaking readers aged 20 to 40 interested in fashion. Organize the content with appropriate headings and subheadings (h1, h2, h3, h4, h5, h6), translating all text, including headings, into Japanese. Retain any existing
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Craig Green’s return to Paris for SS26 felt like flipping a cherished vinyl record to the B-side again and again: familiar melodies reshaped into something intriguingly new. “Like sand gathered in pockets and hems, outfits remember things,” wrote Green in the show notes, and that was visibly evident from the start. The runway was dusted with fine, raw yellow sand (the type you see in an hourglass), evoking a sense of memory and atmosphere. After all, reflection and transformation were the mood board for the collection.
Drawing inspiration from The Beatles’ late-1960s psychedelic surge, the British designer spoke backstage about their remarkable creative burst, a spirit that infused his work with layered textures and unexpected combinations. Military-style parkas blended seamlessly into skirts, shirts were embellished with vintage floral appliqués, and airy knits featured deliberate tears along the plackets. Sand was also implemented physically into the collection, cuddled in pockets and hems.
The garments carried a sense of familiarity tinged with the uncanny, as if a beloved tune had been played in reverse. Repeated collars, reimagined seams, and sausage-shaped drawcords dangled playfully, while 3D floral knitwear seemed to blossom spontaneously overnight.
One of the most striking details was the models’ eyewear: tiny LED lights stretched across their faces, casting a faint glow that pierced the muted palette. Green explained these narrow beams symbolised “wide eyes drawing fresh light, revealing new shapes,” both literally and metaphorically illuminating the collection.
A highlight was a sandblasted parka inspired by fishermen’s attire, softened by weathered textures and accented with Alpine floral belts. Later, coat-length dreamcoats burst forth in vivid neon florals reminiscent of dyed bedsheets, showcasing Green’s delight in pushing creative boundaries.
Time and its flowing — the past and the present — seemed to connect the collection in ways that were more than literary. Yet, instead of indulging in nostalgia, Green reinterpreted the era, immersing himself in youthful energy and creative passion. Each look balanced a sense of déjà vu with fresh innovation, a hallmark of a designer who thrives on continual reinvention.
Discover the collection here.
photography. Umberto Fratini
words. Gennaro Costanzo
The post craig green ss26 | reinventing the déjà vu appeared first on Schön! Magazine.
and integrate them seamlessly into the new content without adding new tags. Ensure the new content is fashion-related, written entirely in Japanese, and approximately 1500 words. Conclude with a “結論” section and a well-formatted “よくある質問” section. Avoid including an introduction or a note explaining the process.
