Rewrite
If Jacquemus had existed in the 1950s, he wouldn’t have been sketching in some dimly lit atelier — he’d be on a ship, trunks full of couture, sailing across the Atlantic to dress Hollywood’s newest stars. That’s the fantasy behind La Croisière, a collection that rewrites history with a wink, imagining a mid-century Jacquemus as a globetrotting couturier. But, of course, this is Simon Porte Jacquemus we’re talking about — so while the references are nostalgic, nothing feels stuck in the past.
The show was held in the intimate setting of the Auguste Perret-designed apartment in Paris. For the Spring/Summer 2025 collection, Jacquemus drew inspiration from the history of major fashion houses like Dior and Chanel and their ventures into the American market. This influence was evident in the collection’s familiar yet refreshed silhouettes, especially with the softened geometries and textures — like raffia embroidery, flocked polka dots, and feathers. The prints, on the other hand, are more playful featuring banana motifs, zebra stripes, and hand-painted stripes adding a touch of surreal.
The silhouettes have all the elegance of a classic film star’s wardrobe, but they’re made for now. Sharp hourglass dresses in crisp poplin, sculpted busts that practically levitate, and fluted tulle skirts that sway with every step. Menswear is clean and sporty — double-breasted jackets, twisted bowling shirts, and tailored trousers that hug an athletic frame. The colour palette is pure old-school glamour: black and ecru, punctuated with Jacquemus’ signature banana yellow and bursts of red, orange, and cactus green.
Then come the accessories, which are where the fun really begins. A basketball-orange leather tote, banana-printed kitten heels, bags disguised as milk cartons and even a box of frites — because why not? And just when you think the show is all about the past, Jacquemus throws in a curveball: a new Jacquemus + Nike collaboration, revamping the iconic 1972 Moon Shoe. And if that weren’t modern enough, the entire show was filmed on iPhone 16 Pro Max — slow-motion runway shots, crisp 4K close-ups.
Discover the collection here.
photography. Jacquemus, Theo De Gueltzl
words. Gennaro Costanzo
in HTML format, including tags, to make it appealing and easy to read for Japanese-speaking readers aged 20 to 40 interested in fashion. Organize the content with appropriate headings and subheadings (h1, h2, h3, h4, h5, h6), translating all text, including headings, into Japanese. Retain any existing
tags from
If Jacquemus had existed in the 1950s, he wouldn’t have been sketching in some dimly lit atelier — he’d be on a ship, trunks full of couture, sailing across the Atlantic to dress Hollywood’s newest stars. That’s the fantasy behind La Croisière, a collection that rewrites history with a wink, imagining a mid-century Jacquemus as a globetrotting couturier. But, of course, this is Simon Porte Jacquemus we’re talking about — so while the references are nostalgic, nothing feels stuck in the past.
The show was held in the intimate setting of the Auguste Perret-designed apartment in Paris. For the Spring/Summer 2025 collection, Jacquemus drew inspiration from the history of major fashion houses like Dior and Chanel and their ventures into the American market. This influence was evident in the collection’s familiar yet refreshed silhouettes, especially with the softened geometries and textures — like raffia embroidery, flocked polka dots, and feathers. The prints, on the other hand, are more playful featuring banana motifs, zebra stripes, and hand-painted stripes adding a touch of surreal.
The silhouettes have all the elegance of a classic film star’s wardrobe, but they’re made for now. Sharp hourglass dresses in crisp poplin, sculpted busts that practically levitate, and fluted tulle skirts that sway with every step. Menswear is clean and sporty — double-breasted jackets, twisted bowling shirts, and tailored trousers that hug an athletic frame. The colour palette is pure old-school glamour: black and ecru, punctuated with Jacquemus’ signature banana yellow and bursts of red, orange, and cactus green.
Then come the accessories, which are where the fun really begins. A basketball-orange leather tote, banana-printed kitten heels, bags disguised as milk cartons and even a box of frites — because why not? And just when you think the show is all about the past, Jacquemus throws in a curveball: a new Jacquemus + Nike collaboration, revamping the iconic 1972 Moon Shoe. And if that weren’t modern enough, the entire show was filmed on iPhone 16 Pro Max — slow-motion runway shots, crisp 4K close-ups.
Discover the collection here.
photography. Jacquemus, Theo De Gueltzl
words. Gennaro Costanzo
and integrate them seamlessly into the new content without adding new tags. Ensure the new content is fashion-related, written entirely in Japanese, and approximately 1500 words. Conclude with a “結論” section and a well-formatted “よくある質問” section. Avoid including an introduction or a note explaining the process.
