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We might refer to Glasser, 54, as ‘Hollywood’s perfumer’ because she works with actors to create scents that will help them inhabit the world of their characters. Law’s noxious fragrance was designed for his role as Henry VIII in last year’s Firebrand. while less repulsive projects have included a fragrance for Johnny Depp in 2010, when he played the Mad Hatter in Tim Burton’s Alice in Wonderland. It captured the eccentricity of the character at a tea party with notes of fairy cakes, lemon drizzle, cookies, tea and icing. Glasser has also developed seven character fragrances for Helena Bonham Carter, including a cracked soap and powdery lace scent for her role as Miss Havisham in 2012’s Great Expectations and a mixture of foxgloves, hemlock and belladonna for her role as Bellatrix Lestrange in various Harry Potter films.
She also crafts personalised fragrances for clients’ off-screen selves with her bespoke fragrance service, which is available to the non-famous too, although they still have to be flush, since the starting price for the service is £18,000 per session (though she does run a fragrance workshop for £850). For Glasser, these appointments are like a “fun therapy session” in which she asks questions and observes clients’ self-presentation to pinpoint which scents would best complement their character. “I want to know what you’re all about,” Glasser tells me over a video call from her studio, where she sits in front of a wall brimming with bottles containing dozens of creations made over the course of her 30-year career. “I want to know about your family, friends, romantic relationships; what films you like to watch, where you like to go on holiday and what you do for work. As we’re discussing these things, I’m also looking at your mannerisms, your style and your skin, because some skin can absorb and hold fragrance more than others and I need to know that for the formulation.”
Those who can’t afford a one-to-one session with Glasser can purchase a fragrance from her brand The Perfumer’s Story, which she launched in 2016. In keeping with her personality-driven approach to perfumery, each of its 13 core fragrances have been designed to suit common character and style types. These include Fever 54, a rose de mai, davana oil, saffron and ylang ylang scent made for someone who is, in Glasser’s words, “wild and hedonistic and a bit glamorous”. There’s also Glasser’s own signature scent Sequoia Wood, which is made for people who are “sensual, a bit edgy and cool, but intelligent at the same time”. Another is Old Books, Elvis actor Austin Butler’s favourite fragrance, which is a blend of frankincense, olibanum, myrrh, elemi and patchouli. “It’s heritage, intelligent and a bit eccentric,” she says.
in HTML format, including tags, to make it appealing and easy to read for Japanese-speaking readers aged 20 to 40 interested in fashion. Organize the content with appropriate headings and subheadings (h1, h2, h3, h4, h5, h6), translating all text, including headings, into Japanese. Retain any existing
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We might refer to Glasser, 54, as ‘Hollywood’s perfumer’ because she works with actors to create scents that will help them inhabit the world of their characters. Law’s noxious fragrance was designed for his role as Henry VIII in last year’s Firebrand. while less repulsive projects have included a fragrance for Johnny Depp in 2010, when he played the Mad Hatter in Tim Burton’s Alice in Wonderland. It captured the eccentricity of the character at a tea party with notes of fairy cakes, lemon drizzle, cookies, tea and icing. Glasser has also developed seven character fragrances for Helena Bonham Carter, including a cracked soap and powdery lace scent for her role as Miss Havisham in 2012’s Great Expectations and a mixture of foxgloves, hemlock and belladonna for her role as Bellatrix Lestrange in various Harry Potter films.
She also crafts personalised fragrances for clients’ off-screen selves with her bespoke fragrance service, which is available to the non-famous too, although they still have to be flush, since the starting price for the service is £18,000 per session (though she does run a fragrance workshop for £850). For Glasser, these appointments are like a “fun therapy session” in which she asks questions and observes clients’ self-presentation to pinpoint which scents would best complement their character. “I want to know what you’re all about,” Glasser tells me over a video call from her studio, where she sits in front of a wall brimming with bottles containing dozens of creations made over the course of her 30-year career. “I want to know about your family, friends, romantic relationships; what films you like to watch, where you like to go on holiday and what you do for work. As we’re discussing these things, I’m also looking at your mannerisms, your style and your skin, because some skin can absorb and hold fragrance more than others and I need to know that for the formulation.”
Those who can’t afford a one-to-one session with Glasser can purchase a fragrance from her brand The Perfumer’s Story, which she launched in 2016. In keeping with her personality-driven approach to perfumery, each of its 13 core fragrances have been designed to suit common character and style types. These include Fever 54, a rose de mai, davana oil, saffron and ylang ylang scent made for someone who is, in Glasser’s words, “wild and hedonistic and a bit glamorous”. There’s also Glasser’s own signature scent Sequoia Wood, which is made for people who are “sensual, a bit edgy and cool, but intelligent at the same time”. Another is Old Books, Elvis actor Austin Butler’s favourite fragrance, which is a blend of frankincense, olibanum, myrrh, elemi and patchouli. “It’s heritage, intelligent and a bit eccentric,” she says.
and integrate them seamlessly into the new content without adding new tags. Ensure the new content is fashion-related, written entirely in Japanese, and approximately 1500 words. Conclude with a “結論” section and a well-formatted “よくある質問” section. Avoid including an introduction or a note explaining the process.
