Rewrite
from left: white swirl hat by PHILIP TREACY, couture piano hat by PHILIP TREACY
Of course, he didn’t create without any guidance. Katy England, McQueen’s career-long stylist, right-hand woman and a long-standing collaborator of Treacy’s, served as a constant touchpoint throughout the process. “Working as a conduit between those two creatives was the best job in the world,” she tells me. “Lee trusted Philip to come up with something for his shows that would delight him and complete his own creative vision.
“My job was to take Philip our initial research for the show and then relay his thoughts back to Lee,” she says, elaborating on the mechanics of their shared process. “As the show drew closer, I would take him fabric swatches, sketches, maybe fitting pictures of the particular looks he was designing a hat for, and then listen to his ideas and process. I tried to keep what Philip was doing a bit of a secret from Lee and vice versa, as I wanted them both to have something to look forward to. I knew that when Philip unveiled the hats, literally backstage at the show, this would be the first time Lee had ever seen them, and he would always be so completely amazed and overjoyed. Placing the hat on the finished look was an incredibly special moment to witness between them.”
While this two-decade-long relationship brought about some of Treacy’s best-known creations, his work beyond it is just as powerful a testament to the calibre of his craft. He has played a crucial role in shaping the visual identities of some of the world’s most directional dressers, among them Grace Jones, who arrived at the designer’s SS01 show for London Fashion Week sporting his crumpled gold top hat, then stood on the top of her limousine. And, of course, Lady Gaga has been an avid champion of Treacy’s since 2009. She most recently showcased a piece from his AW01 show, famously worn by Blow, at the Venice Film Festival. On the flipside of these decidedly outré fashion icons, he’s also earned a reputation as the go-to hatmaker for members of the royal family, with HRH Queen Camilla and Catherine, Princess of Wales, regularly seen in the milliner’s more typically ladylike confections at some of their official appearances.
from left: vertical crin hat by PHILIP TREACY, peacock turban by PHILIP TREACY
in HTML format, including tags, to make it appealing and easy to read for Japanese-speaking readers aged 20 to 40 interested in fashion. Organize the content with appropriate headings and subheadings (h1, h2, h3, h4, h5, h6), translating all text, including headings, into Japanese. Retain any existing
tags from
from left: white swirl hat by PHILIP TREACY, couture piano hat by PHILIP TREACY
Of course, he didn’t create without any guidance. Katy England, McQueen’s career-long stylist, right-hand woman and a long-standing collaborator of Treacy’s, served as a constant touchpoint throughout the process. “Working as a conduit between those two creatives was the best job in the world,” she tells me. “Lee trusted Philip to come up with something for his shows that would delight him and complete his own creative vision.
“My job was to take Philip our initial research for the show and then relay his thoughts back to Lee,” she says, elaborating on the mechanics of their shared process. “As the show drew closer, I would take him fabric swatches, sketches, maybe fitting pictures of the particular looks he was designing a hat for, and then listen to his ideas and process. I tried to keep what Philip was doing a bit of a secret from Lee and vice versa, as I wanted them both to have something to look forward to. I knew that when Philip unveiled the hats, literally backstage at the show, this would be the first time Lee had ever seen them, and he would always be so completely amazed and overjoyed. Placing the hat on the finished look was an incredibly special moment to witness between them.”
While this two-decade-long relationship brought about some of Treacy’s best-known creations, his work beyond it is just as powerful a testament to the calibre of his craft. He has played a crucial role in shaping the visual identities of some of the world’s most directional dressers, among them Grace Jones, who arrived at the designer’s SS01 show for London Fashion Week sporting his crumpled gold top hat, then stood on the top of her limousine. And, of course, Lady Gaga has been an avid champion of Treacy’s since 2009. She most recently showcased a piece from his AW01 show, famously worn by Blow, at the Venice Film Festival. On the flipside of these decidedly outré fashion icons, he’s also earned a reputation as the go-to hatmaker for members of the royal family, with HRH Queen Camilla and Catherine, Princess of Wales, regularly seen in the milliner’s more typically ladylike confections at some of their official appearances.
from left: vertical crin hat by PHILIP TREACY, peacock turban by PHILIP TREACY
and integrate them seamlessly into the new content without adding new tags. Ensure the new content is fashion-related, written entirely in Japanese, and approximately 1500 words. Conclude with a “結論” section and a well-formatted “よくある質問” section. Avoid including an introduction or a note explaining the process.