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We take a look inside the festival with the event’s official photographer, Emile Holba, who also shares some thoughts on the annual iconic occurence.
EFG London Jazz Festival is a highlight of the English capital’s busy autumn schedule, with over 300 shows across multiple venues taking place from 15-24th November. The programming is wide reaching— from classical jazz to the most forward-thinking and avant-garde jazz adjacent names. Below, you can find an exclusive look into this year’s antics from the festival’s official photographer, Emile Holba, who also shared, with Wonderland, the following thoughts…
“As the biggest pan-city music festival in Europe, the EFG London Jazz Festival takes over the city every November.
Celebrating its 32nd year, the 2024 festival trail blazed pretty well all of London’s key arts spaces during its 10 day tenure, drawing deeply from an international wealth of musicians and artists, as well as nurturing and developing emerging UK talent.
As the official photographer for the festival for the last 16 years, it is an honour to experience and document such a diverse range of music and artistry so intimately. I’ve photographed countless artistic high points over the years, from large scale productions at the Royal Festival Hall and Barbican, to late night jams and free cultural showcases – and this November proved just as pictorially fruitful as ever.
With over 300 live performances this year, creating a representative photography schedule a few weeks ahead of the festival requires detailed planning, with close observation to production timings, as many shows have similar start times. There’s always a fine balance of factoring travel time between venues and having enough time to capture meaningful photographs at each show.
Even with full AAA access across the festival, it is crucial to have a good knowledge of each venue’s key vantage points, as well as knowing surprising ‘gotchas’ presented by concert’s building infrastructure. Ensuring one is efficient in attaining good photographic perspectives allows for more time concentrating on capturing the best of the artists’ body language and facial expressions – both key attributes, for me, that make a successful live music photograph.
My aim is to produce striking images, enriched in colour and intrigue. Images that capture the key moments and the spirit of the festival – all framed with a strong sense of place.
Here are a few of my favourite photographs from this year’s festival. Enjoy.”
in HTML format, including tags, to make it appealing and easy to read for Japanese-speaking readers aged 20 to 40 interested in fashion. Organize the content with appropriate headings and subheadings (h1, h2, h3, h4, h5, h6), translating all text, including headings, into Japanese. Retain any existing
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We take a look inside the festival with the event’s official photographer, Emile Holba, who also shares some thoughts on the annual iconic occurence.
EFG London Jazz Festival is a highlight of the English capital’s busy autumn schedule, with over 300 shows across multiple venues taking place from 15-24th November. The programming is wide reaching— from classical jazz to the most forward-thinking and avant-garde jazz adjacent names. Below, you can find an exclusive look into this year’s antics from the festival’s official photographer, Emile Holba, who also shared, with Wonderland, the following thoughts…
“As the biggest pan-city music festival in Europe, the EFG London Jazz Festival takes over the city every November.
Celebrating its 32nd year, the 2024 festival trail blazed pretty well all of London’s key arts spaces during its 10 day tenure, drawing deeply from an international wealth of musicians and artists, as well as nurturing and developing emerging UK talent.
As the official photographer for the festival for the last 16 years, it is an honour to experience and document such a diverse range of music and artistry so intimately. I’ve photographed countless artistic high points over the years, from large scale productions at the Royal Festival Hall and Barbican, to late night jams and free cultural showcases – and this November proved just as pictorially fruitful as ever.
With over 300 live performances this year, creating a representative photography schedule a few weeks ahead of the festival requires detailed planning, with close observation to production timings, as many shows have similar start times. There’s always a fine balance of factoring travel time between venues and having enough time to capture meaningful photographs at each show.
Even with full AAA access across the festival, it is crucial to have a good knowledge of each venue’s key vantage points, as well as knowing surprising ‘gotchas’ presented by concert’s building infrastructure. Ensuring one is efficient in attaining good photographic perspectives allows for more time concentrating on capturing the best of the artists’ body language and facial expressions – both key attributes, for me, that make a successful live music photograph.
My aim is to produce striking images, enriched in colour and intrigue. Images that capture the key moments and the spirit of the festival – all framed with a strong sense of place.
Here are a few of my favourite photographs from this year’s festival. Enjoy.”
and integrate them seamlessly into the new content without adding new tags. Ensure the new content is fashion-related, written entirely in Japanese, and approximately 1500 words. Conclude with a “結論” section and a well-formatted “よくある質問” section. Avoid including an introduction or a note explaining the process.
