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Charlamagne Tha God isn’t on board with Drake’s legal action against Universal Music Group (UMG) over Kendrick Lamar’s “Not Like Us.”
On The Breakfast Club on Monday, December 2, Charlamagne crowned Drizzy “donkey of the day” for his curious legal filings against UMG for allegedly inflating the numbers of Kendrick Lamar’s “Not Like Us” and defaming him with its lyrical content. Charlamagne noted that The Breakfast Club was on holiday last week, which meant he didn’t get the opportunity to give “Drake the credit he deserves for being stupid.”
“I told y’all Drake was going to file a lawsuit,” he continued. “I told you Drake was going to sue. he is a multi-billion dollar entity, no multi-billion dollar entity is going to allow you to call him a pedophile or sex offender and not take some sort of legal action. But here’s the thing, the person who has the real defamation case in this situation is Kendrick’s woman [Whitney Alford], because Drake not only said Kendrick was beating on her he said that Dave Free, Kendrick’s business partner and friend, was the real father to one of Kendrick’s kids.”
Drizzy made the allegations against Kendrick Lamar and Whitney Alford on his track “Family Matters.” There’s nothing to suggest there’s any truth behind the lyrics, which makes Drizzy’s second legal filing—accusing UMG of defamation by failing to block the release of “Not Like Us”—all the more baffling.
“If you’re going to accuse somebody of defamation, you must first make sure you too aren’t guilty of defamation,” Charlamagne laughed. “Drake saying that Kendrick defamed him is indeed the pot calling the kettle beige, but that’s not even why I’m giving him donkey of the day. I’m giving him donkey of the day because Drake is proving, without a shadow of a doubt, that he simply doesn’t understand culture.”
Charlamagne accused Drake of failing to “understand how any of this works,” pointing out that “Not Like Us” was genuinely popular and still is. “It was an instant smash,” he continued. “‘Not Like Us’ isn’t just a hit record, it’s a rare cultural phenomenon. Records like that don’t come along too often. Records like that can’t be programmed. I don’t care how much money you spend on radio or on playlists, whatever it is, when something is a cultural phenomenon, you can’t buy that. You can’t buy culture, Drake.”
He also said that he’s benefitted from UMG promoting his music throughout most of his career, and if Kendrick Lamar made legal filings against him for diss records he would be clowning him non-stop. “I’m trying to get you to see why you look like a complete and total sucker, Drake,” Charlamagne continued. “Those same tricks you are accusing UMG of doing for ‘Not Like Us,’ they have done for you your whole career.”
As for streaming services, he pointed out the time Drake was on the cover of every official playlist on Spotify, regardless of whether he was included. As reported by Billboard in 2018, the promotion for Scorpion was so intense on Spotify that some subscribers demanded refunds.
“All I’m saying, Aubrey, is stop acting like you haven’t been the beneficiary of record tricknology,” Charlamagne said. “You being a whole ho simply because you lost. Simply because Kendrick Lamar kicked your ass lyrically, mentally, spiritually, and emotionally. Anybody acting like this is anything more than Drake’s feelings being hurt, you a ho, too. An OVho to be exact.”
He also said that Drake made a decision to tap out when he could have responded to “Not Like Us” with a hit record of his own. “You chose to get the lawyers because you lost the squabble,” he concluded. “I’m going to tell Drake exactly what I’ve been telling him since this summer. Take a break, go away. Let nostalgia bring you back, people will miss you. See what J. Cole is doing, people don’t even care he tapped out of the rap battle anymore!”
It’s unclear if Drake’s pre-action petitions will make it to trial, but he’s received plenty of pushback from the hip-hop community since he filed them. Kendrick Lamar’s new album GNX, meanwhile, moved 319,000 equivalent album units in its first week of availability and debuted at the number one spot on the Billboard 200 chart.
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Charlamagne Tha God isn’t on board with Drake’s legal action against Universal Music Group (UMG) over Kendrick Lamar’s “Not Like Us.”
On The Breakfast Club on Monday, December 2, Charlamagne crowned Drizzy “donkey of the day” for his curious legal filings against UMG for allegedly inflating the numbers of Kendrick Lamar’s “Not Like Us” and defaming him with its lyrical content. Charlamagne noted that The Breakfast Club was on holiday last week, which meant he didn’t get the opportunity to give “Drake the credit he deserves for being stupid.”
“I told y’all Drake was going to file a lawsuit,” he continued. “I told you Drake was going to sue. he is a multi-billion dollar entity, no multi-billion dollar entity is going to allow you to call him a pedophile or sex offender and not take some sort of legal action. But here’s the thing, the person who has the real defamation case in this situation is Kendrick’s woman [Whitney Alford], because Drake not only said Kendrick was beating on her he said that Dave Free, Kendrick’s business partner and friend, was the real father to one of Kendrick’s kids.”
Drizzy made the allegations against Kendrick Lamar and Whitney Alford on his track “Family Matters.” There’s nothing to suggest there’s any truth behind the lyrics, which makes Drizzy’s second legal filing—accusing UMG of defamation by failing to block the release of “Not Like Us”—all the more baffling.
“If you’re going to accuse somebody of defamation, you must first make sure you too aren’t guilty of defamation,” Charlamagne laughed. “Drake saying that Kendrick defamed him is indeed the pot calling the kettle beige, but that’s not even why I’m giving him donkey of the day. I’m giving him donkey of the day because Drake is proving, without a shadow of a doubt, that he simply doesn’t understand culture.”
Charlamagne accused Drake of failing to “understand how any of this works,” pointing out that “Not Like Us” was genuinely popular and still is. “It was an instant smash,” he continued. “‘Not Like Us’ isn’t just a hit record, it’s a rare cultural phenomenon. Records like that don’t come along too often. Records like that can’t be programmed. I don’t care how much money you spend on radio or on playlists, whatever it is, when something is a cultural phenomenon, you can’t buy that. You can’t buy culture, Drake.”
He also said that he’s benefitted from UMG promoting his music throughout most of his career, and if Kendrick Lamar made legal filings against him for diss records he would be clowning him non-stop. “I’m trying to get you to see why you look like a complete and total sucker, Drake,” Charlamagne continued. “Those same tricks you are accusing UMG of doing for ‘Not Like Us,’ they have done for you your whole career.”
As for streaming services, he pointed out the time Drake was on the cover of every official playlist on Spotify, regardless of whether he was included. As reported by Billboard in 2018, the promotion for Scorpion was so intense on Spotify that some subscribers demanded refunds.
“All I’m saying, Aubrey, is stop acting like you haven’t been the beneficiary of record tricknology,” Charlamagne said. “You being a whole ho simply because you lost. Simply because Kendrick Lamar kicked your ass lyrically, mentally, spiritually, and emotionally. Anybody acting like this is anything more than Drake’s feelings being hurt, you a ho, too. An OVho to be exact.”
He also said that Drake made a decision to tap out when he could have responded to “Not Like Us” with a hit record of his own. “You chose to get the lawyers because you lost the squabble,” he concluded. “I’m going to tell Drake exactly what I’ve been telling him since this summer. Take a break, go away. Let nostalgia bring you back, people will miss you. See what J. Cole is doing, people don’t even care he tapped out of the rap battle anymore!”
It’s unclear if Drake’s pre-action petitions will make it to trial, but he’s received plenty of pushback from the hip-hop community since he filed them. Kendrick Lamar’s new album GNX, meanwhile, moved 319,000 equivalent album units in its first week of availability and debuted at the number one spot on the Billboard 200 chart.
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