ミラノファッションウィークAW25、これがあなたの最高の部分ウィメンズウェア

Milan Fashion Week AW25 began with a bang and was over in the blink of an eye. Doechii made an explosive entrance at Diesel, Prada hadn’t made it home from the night before (in the best way), Sean Paul threw the party of all parties for Fendi’s 100th bash, Moschino took out the trash and Versace took over a public transport depot. The front row has been just as packed with excitement, with famous faces including Azealia Banks, Hunter Schafer, Ice Spice, Victoria Monet, Sarah Jessica Parker and many more. It’s been a busy one, but fashion month isn’t over yet. As we say arriverderci to Milan, we say bonjour to Paris. Until tomorrow, here’s everything you missed from the Italian shows.

2026 will mark ten years since Francesco Risso became creative director of Marni, and still, every one of his collections feels like the strongest yet. Held inside the brand’s Milan headquarters and accompanied by an original score composed by Dev Hynes, guests were greeted with martini spritzers upon arrival. A master of colour, Risso sent electric hues down the catwalk in his characteristic blocks, mostly framed by dramatic faux fur collars. Tiered skirts, glorious silks and floral prints strutted through the space, which had been transformed into a cabaret room. Stylist Dara Allen walked in the show, as did Paloma Elsesser and current Dazed cover star Amelia Gray. The biggest reaction, however, came when Tracee Ellis-Ross made a surprise appearance on the runway wearing a silk saffron gown emblazoned with a lightning bolt’s zig-zag.

Nico provided the soundtrack to MM6’s AW25 show, which stayed true to Margiela’s practical, durable and minimalist DNA. Tailoring was given an extra boost this season with wearable (and removable) ‘hangers’ that expanded the shoulders to dramatic, boxy silhouettes. At first glance, the collection looked paired back, chic and simple – 50 looks shown in a tonal colour palette. When you look more closely, you’ll see the quirky flourishes that give it a Margiela flair. Take the trompe l’oeil mesh fabric layered over scrunched shirts and vests for example. Or a cardigan that reaches the knees. Jeans with seams that point away from the wearer in either direction, baby pink gloves or the futuristic sunglasses that look like the black rectangle placed over people’s eyes to keep them ‘anonymous’ on TV. MM6 may keep simplicity at its core, but there’s a mischievous humour lodged somewhere there too.

Off-duty model was the theme of Dolce & Gabbana’s AW25 collection. Specifically, Vittoria Ceretti, Irina Shayk and Mona Tougaard, who the designers listed as inspirations for the show backstage. Not only are they some of the most in-demand models of the moment, they’re also certified Cool Girls, which just happened to be the name of the show. With a soundtrack provided by DJ Victoria De Angelis of Roman band Mañeskin, Mica Argañaraz opened the show in a khaki trench. Other cool girls in tow were Amelia Gray and Shayk herself, while Naomi Campbell sat front row. Nonchalance is the key to the off-duty model look. There’s a non-fussed, Parisian-esque “bof?” attitude to the girls who are papped leaving shows, on their way to the next, appearing undone yet in the best way. Dolce captured this through beanies, all-black and tweed jackets thrown over the shoulders. Lingerie was styled as daywear, paired with bovver boots that reached the knee and sunglasses that concealed almost the entire face. Clearly, like most cool girls, they don’t want to be seen (but do really).

“I love David Koma. Very witchy stuff, very California-mystic.” These were the words of former Dazed cover star Azealia Banks, who sat front row to watch London designer David Koma make his debut at Italian house Blumarine. Titled Dark Romanticism, the brand’s AW25 show was centred around the Sicilian thistle – spiky and altogether a whole lot darker than we’ve grown to expect from Blumarine. Irina Shayk opened the show to the sound of heavy, industrial music, wearing a tailored black winter coat and knee-high boots. Colin Jones (AKA Col the Doll) followed, as did Yasmin Wijnaldum. The first eight looks came in all-black, followed by a flurry of blood-red ensembles. Barely-there lace provided a delicate contrast to loud metal belts and floor-length furs. Cocktail dresses marched alongside 70s-inspired floating day dresses, again mostly in black. Koma has always designed with party girls in mind, his Blumarine however, is for party girls with a whole lot of angst.

Susan Fang’s AW25 show was a touching tribute to her mother, Ai Lan. The London-based designer typically shows in Shanghai, but this season Dolce & Gabbana lent a helping hand – enabling Fang to show her catwalk in Milan. Aware of the scale of this opportunity, Fang used the moment to honour the woman that raised her, showcasing her mother’s artwork through the collection, which was titled Air Memory. She also used the opportunity to debut her wedding dress. Not a similar version, but the very dress she is set to wear down the aisle in a couple of week’s time. Rainbow pastel tulle bounced gently down the catwalk – cloudlike creations that would brighten any room. The designer described the collection as “an exploration of the pursuit of happiness”, so it makes sense then, that her mother and her wedding would serve as inspiration. 

Milan Fashion Week AW25 began with a bang and was over in the blink of an eye. Doechii made an explosive entrance at Diesel, Prada hadn’t made it home from the night before (in the best way), Sean Paul threw the party of all parties for Fendi’s 100th bash, Moschino took out the trash and Versace took over a public transport depot. The front row has been just as packed with excitement, with famous faces including Azealia Banks, Hunter Schafer, Ice Spice, Victoria Monet, Sarah Jessica Parker and many more. It’s been a busy one, but fashion month isn’t over yet. As we say arriverderci to Milan, we say bonjour to Paris. Until tomorrow, here’s everything you missed from the Italian shows.

2026 will mark ten years since Francesco Risso became creative director of Marni, and still, every one of his collections feels like the strongest yet. Held inside the brand’s Milan headquarters and accompanied by an original score composed by Dev Hynes, guests were greeted with martini spritzers upon arrival. A master of colour, Risso sent electric hues down the catwalk in his characteristic blocks, mostly framed by dramatic faux fur collars. Tiered skirts, glorious silks and floral prints strutted through the space, which had been transformed into a cabaret room. Stylist Dara Allen walked in the show, as did Paloma Elsesser and current Dazed cover star Amelia Gray. The biggest reaction, however, came when Tracee Ellis-Ross made a surprise appearance on the runway wearing a silk saffron gown emblazoned with a lightning bolt’s zig-zag.

Nico provided the soundtrack to MM6’s AW25 show, which stayed true to Margiela’s practical, durable and minimalist DNA. Tailoring was given an extra boost this season with wearable (and removable) ‘hangers’ that expanded the shoulders to dramatic, boxy silhouettes. At first glance, the collection looked paired back, chic and simple – 50 looks shown in a tonal colour palette. When you look more closely, you’ll see the quirky flourishes that give it a Margiela flair. Take the trompe l’oeil mesh fabric layered over scrunched shirts and vests for example. Or a cardigan that reaches the knees. Jeans with seams that point away from the wearer in either direction, baby pink gloves or the futuristic sunglasses that look like the black rectangle placed over people’s eyes to keep them ‘anonymous’ on TV. MM6 may keep simplicity at its core, but there’s a mischievous humour lodged somewhere there too.

Off-duty model was the theme of Dolce & Gabbana’s AW25 collection. Specifically, Vittoria Ceretti, Irina Shayk and Mona Tougaard, who the designers listed as inspirations for the show backstage. Not only are they some of the most in-demand models of the moment, they’re also certified Cool Girls, which just happened to be the name of the show. With a soundtrack provided by DJ Victoria De Angelis of Roman band Mañeskin, Mica Argañaraz opened the show in a khaki trench. Other cool girls in tow were Amelia Gray and Shayk herself, while Naomi Campbell sat front row. Nonchalance is the key to the off-duty model look. There’s a non-fussed, Parisian-esque “bof?” attitude to the girls who are papped leaving shows, on their way to the next, appearing undone yet in the best way. Dolce captured this through beanies, all-black and tweed jackets thrown over the shoulders. Lingerie was styled as daywear, paired with bovver boots that reached the knee and sunglasses that concealed almost the entire face. Clearly, like most cool girls, they don’t want to be seen (but do really).

“I love David Koma. Very witchy stuff, very California-mystic.” These were the words of former Dazed cover star Azealia Banks, who sat front row to watch London designer David Koma make his debut at Italian house Blumarine. Titled Dark Romanticism, the brand’s AW25 show was centred around the Sicilian thistle – spiky and altogether a whole lot darker than we’ve grown to expect from Blumarine. Irina Shayk opened the show to the sound of heavy, industrial music, wearing a tailored black winter coat and knee-high boots. Colin Jones (AKA Col the Doll) followed, as did Yasmin Wijnaldum. The first eight looks came in all-black, followed by a flurry of blood-red ensembles. Barely-there lace provided a delicate contrast to loud metal belts and floor-length furs. Cocktail dresses marched alongside 70s-inspired floating day dresses, again mostly in black. Koma has always designed with party girls in mind, his Blumarine however, is for party girls with a whole lot of angst.

Susan Fang’s AW25 show was a touching tribute to her mother, Ai Lan. The London-based designer typically shows in Shanghai, but this season Dolce & Gabbana lent a helping hand – enabling Fang to show her catwalk in Milan. Aware of the scale of this opportunity, Fang used the moment to honour the woman that raised her, showcasing her mother’s artwork through the collection, which was titled Air Memory. She also used the opportunity to debut her wedding dress. Not a similar version, but the very dress she is set to wear down the aisle in a couple of week’s time. Rainbow pastel tulle bounced gently down the catwalk – cloudlike creations that would brighten any room. The designer described the collection as “an exploration of the pursuit of happiness”, so it makes sense then, that her mother and her wedding would serve as inspiration.