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Rewrite and translate this title AzChike Says Kendrick Wanted Him to Do “Peekaboo” Hook: ‘Sh*t Is a Tongue-Twister’ to Japanese between 50 and 60 characters. Do not include any introductory or extra text; return only the title in Japanese.

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AzChike is reflecting on the uniquely inspiring experience of working with Kendrick Lamar on “Peekaboo,” a track off the surprise-released GNX album featuring production from Sounwave.

In a recent interview with Brown Bag Mornings on Power 106, the South Central-originating artist, whose latest track “Love Yo Weapons” arrived this week, pointed out how his previous work with Schoolboy Q (on this year’s Blue Lips) helped lead to his and Kendrick’s GNX collab. While Chike said that he’s had a “roller coaster” year on a personal level, working with Kendrick provided him with the fuel he needed at a particularly crucial time in his life.

During the session, Kendrick opened by breaking down a few key points as to why he wanted Chike on the album, at one point highlighting the main facets that go into building a successful career as an artist. After that, work on “Peekaboo” began in earnest, ultimately resulting in Chike doing “like four different versions” of the track.

“When he played it, his parts were already on there and the parts I was supposed to be on, he was mumbling how I rap,” Chike recalled. “He was like, ‘That’s you right there..’ … He told me, like,‘Rap, bro. Just rap. When you rap, just rap so that when they hear this, they wanna ask, who the fuck is this?”

In the bulk of the choruses, Kendrick alone raps, “What they talkin’ ’bout? They ain’t talkin’ ’bout nothin’.” At one point in the session, per Chike, he was asked to do the hook by himself, though he was quick to concede that the required speed of its delivery proved to be a challenge.

“They had me do the hook by itself but that shit is a tongue-twister,” Chike said on Power 106 this week. “I told ‘em even when I heard it the first time. Before I even knew they wanted me to do the hook by myself like that, I was like, ‘Damn. He saying this shit fast as fuck!’ And when I told him he was like, ‘Bro, I just did so many takes. I just kept doing it.’ So when I went to go do it the first time, I couldn’t do it by myself. I had to hear him say it. It had to play while I said it.”

Chike also opened up about what he sees as the larger meaning of the song, as well as its connection, on a conceptual level, to Kendrick’s The Pop Out event in Inglewood back in June.

Next for Kendrick is the Apple Music Super Bowl Halftime Show in February, followed by a stadium run with SZA that’s set to kick off in Minneapolis in April.

in HTML format, including tags, to make it appealing and easy to read for Japanese-speaking readers aged 20 to 40 interested in fashion. Organize the content with appropriate headings and subheadings (h1, h2, h3, h4, h5, h6), translating all text, including headings, into Japanese. Retain any existing tags from

AzChike is reflecting on the uniquely inspiring experience of working with Kendrick Lamar on “Peekaboo,” a track off the surprise-released GNX album featuring production from Sounwave.

In a recent interview with Brown Bag Mornings on Power 106, the South Central-originating artist, whose latest track “Love Yo Weapons” arrived this week, pointed out how his previous work with Schoolboy Q (on this year’s Blue Lips) helped lead to his and Kendrick’s GNX collab. While Chike said that he’s had a “roller coaster” year on a personal level, working with Kendrick provided him with the fuel he needed at a particularly crucial time in his life.

During the session, Kendrick opened by breaking down a few key points as to why he wanted Chike on the album, at one point highlighting the main facets that go into building a successful career as an artist. After that, work on “Peekaboo” began in earnest, ultimately resulting in Chike doing “like four different versions” of the track.

“When he played it, his parts were already on there and the parts I was supposed to be on, he was mumbling how I rap,” Chike recalled. “He was like, ‘That’s you right there..’ … He told me, like,‘Rap, bro. Just rap. When you rap, just rap so that when they hear this, they wanna ask, who the fuck is this?”

In the bulk of the choruses, Kendrick alone raps, “What they talkin’ ’bout? They ain’t talkin’ ’bout nothin’.” At one point in the session, per Chike, he was asked to do the hook by himself, though he was quick to concede that the required speed of its delivery proved to be a challenge.

“They had me do the hook by itself but that shit is a tongue-twister,” Chike said on Power 106 this week. “I told ‘em even when I heard it the first time. Before I even knew they wanted me to do the hook by myself like that, I was like, ‘Damn. He saying this shit fast as fuck!’ And when I told him he was like, ‘Bro, I just did so many takes. I just kept doing it.’ So when I went to go do it the first time, I couldn’t do it by myself. I had to hear him say it. It had to play while I said it.”

Chike also opened up about what he sees as the larger meaning of the song, as well as its connection, on a conceptual level, to Kendrick’s The Pop Out event in Inglewood back in June.

Next for Kendrick is the Apple Music Super Bowl Halftime Show in February, followed by a stadium run with SZA that’s set to kick off in Minneapolis in April.

and integrate them seamlessly into the new content without adding new tags. Ensure the new content is fashion-related, written entirely in Japanese, and approximately 1500 words. Conclude with a “結論” section and a well-formatted “よくある質問” section. Avoid including an introduction or a note explaining the process.

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