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Constança Entrudo
Raised between Lisbon and the island of Madeira, Constança Entrudo graduated from Central Saint Martins and worked for high-profile fashion brands like Balmain, Peter Pilotto and Marques’ Almeida before launching her namesake brand in 2018. The Lisbon-based label bridges the gap between technology and craft through innovative design practices like its signature method of “(un)weaving” to bond recycled polyester yarns, which, combined with bold digital prints and graphic designs, places the textile-focused womenswear brand at the forefront of subversive fashion. JB
How would you describe your design aesthetic?
Our design aesthetic is rooted in the idea of unweaving – where one element leads to another, and stories emerge by rejecting the loom and its traditional structures. It embodies nonchalant refinement, with deconstructed fabrics, bold graphics, irregular proportions, and distinguished styling that invite tactile engagement with the essence of each piece. I try to create with absolute freedom, free from preexisting design frameworks, using trial-and-error methods to push the boundaries of material and form, embracing unpredictability.
What vision are you bringing to the APOC Store drops?
Challenging the usual perceptions of textiles and their interactions with the body, the work pushes boundaries while emphasising the duality of fragility and durability. And, of course, the prints introduce visual elements and aesthetics that are not typical of traditional print design, adding a touch of humour and irony to the APOC selection.
Do you have a favourite piece of yours from the most recent drop?
Yes! the Unwoven Deconstructed T-shirts.
The platform is all about repurposing and upcycling, how did this impact your design process, if at all?
Since the beginning, our brand has focused on generating new fabrics using existing materials and leftovers from production. Being in an environment that promotes this, like APOC, makes so much sense.
in HTML format, including tags, to make it appealing and easy to read for Japanese-speaking readers aged 20 to 40 interested in fashion. Organize the content with appropriate headings and subheadings (h1, h2, h3, h4, h5, h6), translating all text, including headings, into Japanese. Retain any existing
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Constança Entrudo
Raised between Lisbon and the island of Madeira, Constança Entrudo graduated from Central Saint Martins and worked for high-profile fashion brands like Balmain, Peter Pilotto and Marques’ Almeida before launching her namesake brand in 2018. The Lisbon-based label bridges the gap between technology and craft through innovative design practices like its signature method of “(un)weaving” to bond recycled polyester yarns, which, combined with bold digital prints and graphic designs, places the textile-focused womenswear brand at the forefront of subversive fashion. JB
How would you describe your design aesthetic?
Our design aesthetic is rooted in the idea of unweaving – where one element leads to another, and stories emerge by rejecting the loom and its traditional structures. It embodies nonchalant refinement, with deconstructed fabrics, bold graphics, irregular proportions, and distinguished styling that invite tactile engagement with the essence of each piece. I try to create with absolute freedom, free from preexisting design frameworks, using trial-and-error methods to push the boundaries of material and form, embracing unpredictability.
What vision are you bringing to the APOC Store drops?
Challenging the usual perceptions of textiles and their interactions with the body, the work pushes boundaries while emphasising the duality of fragility and durability. And, of course, the prints introduce visual elements and aesthetics that are not typical of traditional print design, adding a touch of humour and irony to the APOC selection.
Do you have a favourite piece of yours from the most recent drop?
Yes! the Unwoven Deconstructed T-shirts.
The platform is all about repurposing and upcycling, how did this impact your design process, if at all?
Since the beginning, our brand has focused on generating new fabrics using existing materials and leftovers from production. Being in an environment that promotes this, like APOC, makes so much sense.
and integrate them seamlessly into the new content without adding new tags. Ensure the new content is fashion-related, written entirely in Japanese, and approximately 1500 words. Conclude with a “結論” section and a well-formatted “よくある質問” section. Avoid including an introduction or a note explaining the process.
