Rewrite
photography. David Garcia
The Recinte Modernista de Sant Pau once again erupted with an exuberant unveiling of exaggerated silhouettes, sequins, and bright colours as 080 Barcelona Fashion Week took over the city. Over four days, 25 designers took to the runway, showing off their spring/summer 2025 collections. All That She Loves gave attendees a glimpse into summers on a Costa Brava beach, Lemāchet sought to break down masculinity and reinvent it, and ZOE OMS’ all-white collection was generous in romantic shapes and textures. For more of 080 Barcelona Fashion Week’s best, keep reading.
Encapsulating the romanticism of the past with an alluring ethereality, Lebor Gabala’s ‘Oda al Romanticisme’ collection saw a sea of light pink, sky blue, and sand-coloured ruffles light up the runway. Continuing to take inspiration from nature, creative director Maite Muñoz’s use of colour and texture invited spectators into a brand-new world. Vintage floral prints found their way onto silky button-ups, midi skirts, and wide-leg trousers while delicate georgette ruffled maxi dresses cascaded effortlessly down the models’ frames. Deep blue and leaf green offered a stark contrast, appearing in more structured looks consisting of tailored trousers and jackets.
The work of English writer Virginia Woolf heavily influenced ALSEDÀ’s latest collection, ‘DeConstruction’. Looking at breaking down pre-established ideals, creative director Ariadna Massana’s pieces blended texture and colour to create reimagined classics. Models – almost all fitted with glasses and berets or baker boy hats – were dressed in ruched maxi dresses, body-hugging catsuits, and structured jackets in black, white, charcoal, and sand. Pops of red were manifestedthrough red lips, pointed-toe pumps, and crew socks. Woolf’s words were even printed onto sheer white fabrics, which became tanks, skirts, dresses, and gloves.
Using reality TV as a metaphor to communicate the difficulties of establishing and maintaining a brand, REPARTO showed their spring/summer collection, ‘Reality Show’. Featuring models carrying trash bags, hugging pillows, and being followed by cameras, the reality aspect was merged with silhouettes and patterns synonymous with the brand. Oversized long-sleeve tees with ‘Fashion Victim’ printed across the front, semi-sheer corsets with wired boning protruding from the seams, and mega bows plastered across the bust were paired alongside accessories in collaboration with Fernando Gomez, upcycled and second-hand garments, and a staggering amount of lace.
All That She Loves has always been known for its daring and sustainable swim and beachwear – and this season is no exception. Inspired by a Costa Brava beach, creative director Clara Esteve’s collection ‘Isla Brava’ was an exceptional showing of glittery sequins, tie-dye, and stripes. Silver body-hugging maxi dresses, mini skirts, and triangle bikinis were a stark contrast to colourful striped knitted co-ords and pastel bucket hats but worked in unison. Layered tanks and maxi skirts acted as the perfect cover-ups for spending the day by the Mediterranean Sea.
Exploring “new” masculinity, Andalusian brand Lemāchet interlaced classic pieces with avant-garde silhouettes and styling. Creative director Lucía Sánchez had a deeply rooted aspiration to redefine masculinity and the stereotypes that come with it – and with the non-seasonal ‘Re-arrange’ collection, she combined masculinity with femininity to form the modern man. Pastel tones took shape as structured blazers, striped button-ups featured 3D life-size wool lilies, and white tees were printed with spray-painted flowers. Classic pinstripe suits were made interesting with skirts styled over the trousers and tank tops were placed over jackets, creating delectable silhouettes.
Breaking away from the male gaze, ZOE OMS’ collection ‘RIBBONS & RUFFLES’ looked at women’s beauty standards through history and subverted them. Comprising of all-white looks – which on the surface could seem boring, but were anything but – the pieces captured spectators through texture and exaggerated silhouettes. With an abundance of lace, ruffles, and puff sleeves, a strong sense of romanticism was translated. Historical references were made with the use of crinolines under maxi skirts and Puritan collars while trending contemporary elements like bubble tops and low-rise skirts kept the pieces feeling fresh and current.
Exploring the skin as a canvas, ÁLVAR MERINO put the body on display. Creative director David Merino’s collection ‘CICATRICES’ complemented the models’ figures, working as an extension of the body as opposed to covering it up. Neutral tones appeared on laced-up corsets, tailored wide-leg trousers, and barely-there silky tops while metallics and gradients did the heavy lifting. Craftsmanship shone through with the figure-hugging bandage dresses and ruched tops. Showstopping pieces included a rose gold metallic jacket with pointed shoulder pads, patchwork denim jeans, and a sky-blue rose-covered blazer.
As a celebration of both nature and craftsmanship, GAU’s latest collection ‘NÉCTAR’ was a beautiful reflection of how those two worlds can collide. Creative director Sergio Gau was inspired by bee hives – which were represented through geometric shapes – and Greek sculptures, manifested with flowing sheer fabrics draped across the body. These two ideas – structure and fluidity – created pieces full of drama, sophistication, and interest. Elizabethan collars and crinolines added another element to the collection, as well as pieces influenced by paintings of shells by Georgia O’Keeffe and photographs of flowers by Robert Mapplethorpe.
Layers and layers of tulle, puffy silhouettes, and fitted bodices took over the runway during the showing of Reveligion’s new collection ‘The Bloom’. Touching on both hope and darkness – and embracing one’s inner light – creative director María Rodriguez-Blanco’s refined evening wear was coloured in soft cloud-like pastels and touches of black. Corseted drop waists flowed luxuriantly into tulle-tiered skirts, thigh-high slits adorned form-fitting maxi dresses, and crinolines made skirts jut out from the models. Collaborating with designer Esther Amo on bedazzled and flower-ornamented jewellery, the designs created their own realm of fantasy.
HABEY CLUB’s spring/summer collection ‘Obsessed’ looked at society’s obsession with work – and how it can negatively impact other aspects of one’s life. The shapes and silhouettes that founders David Salvador and Javier Zunzunegui used within the collection served as an extension of this idea, with skirts being ruched to resemble sitting down for a long time and jackets having curved backs to represent poor posture. Tightly fitting knits, sheer maxi dresses, and fringe bags came in black, charcoal, and tan – not to mention brighter colours like pink, red, and midnight blue.
photography. David Garcia
Learn more about this year’s edition of 080 Barcelona Fashion at 080barcelonafashion.cat.
words. Amber Louise
runway imagery. 080 Barcelona Fashion
backstage photography. David Garcia
in HTML format, including tags, to make it appealing and easy to read for Japanese-speaking readers aged 20 to 40 interested in fashion. Organize the content with appropriate headings and subheadings (h1, h2, h3, h4, h5, h6), translating all text, including headings, into Japanese. Retain any existing
tags from
photography. David Garcia
The Recinte Modernista de Sant Pau once again erupted with an exuberant unveiling of exaggerated silhouettes, sequins, and bright colours as 080 Barcelona Fashion Week took over the city. Over four days, 25 designers took to the runway, showing off their spring/summer 2025 collections. All That She Loves gave attendees a glimpse into summers on a Costa Brava beach, Lemāchet sought to break down masculinity and reinvent it, and ZOE OMS’ all-white collection was generous in romantic shapes and textures. For more of 080 Barcelona Fashion Week’s best, keep reading.
Encapsulating the romanticism of the past with an alluring ethereality, Lebor Gabala’s ‘Oda al Romanticisme’ collection saw a sea of light pink, sky blue, and sand-coloured ruffles light up the runway. Continuing to take inspiration from nature, creative director Maite Muñoz’s use of colour and texture invited spectators into a brand-new world. Vintage floral prints found their way onto silky button-ups, midi skirts, and wide-leg trousers while delicate georgette ruffled maxi dresses cascaded effortlessly down the models’ frames. Deep blue and leaf green offered a stark contrast, appearing in more structured looks consisting of tailored trousers and jackets.
The work of English writer Virginia Woolf heavily influenced ALSEDÀ’s latest collection, ‘DeConstruction’. Looking at breaking down pre-established ideals, creative director Ariadna Massana’s pieces blended texture and colour to create reimagined classics. Models – almost all fitted with glasses and berets or baker boy hats – were dressed in ruched maxi dresses, body-hugging catsuits, and structured jackets in black, white, charcoal, and sand. Pops of red were manifestedthrough red lips, pointed-toe pumps, and crew socks. Woolf’s words were even printed onto sheer white fabrics, which became tanks, skirts, dresses, and gloves.
Using reality TV as a metaphor to communicate the difficulties of establishing and maintaining a brand, REPARTO showed their spring/summer collection, ‘Reality Show’. Featuring models carrying trash bags, hugging pillows, and being followed by cameras, the reality aspect was merged with silhouettes and patterns synonymous with the brand. Oversized long-sleeve tees with ‘Fashion Victim’ printed across the front, semi-sheer corsets with wired boning protruding from the seams, and mega bows plastered across the bust were paired alongside accessories in collaboration with Fernando Gomez, upcycled and second-hand garments, and a staggering amount of lace.
All That She Loves has always been known for its daring and sustainable swim and beachwear – and this season is no exception. Inspired by a Costa Brava beach, creative director Clara Esteve’s collection ‘Isla Brava’ was an exceptional showing of glittery sequins, tie-dye, and stripes. Silver body-hugging maxi dresses, mini skirts, and triangle bikinis were a stark contrast to colourful striped knitted co-ords and pastel bucket hats but worked in unison. Layered tanks and maxi skirts acted as the perfect cover-ups for spending the day by the Mediterranean Sea.
Exploring “new” masculinity, Andalusian brand Lemāchet interlaced classic pieces with avant-garde silhouettes and styling. Creative director Lucía Sánchez had a deeply rooted aspiration to redefine masculinity and the stereotypes that come with it – and with the non-seasonal ‘Re-arrange’ collection, she combined masculinity with femininity to form the modern man. Pastel tones took shape as structured blazers, striped button-ups featured 3D life-size wool lilies, and white tees were printed with spray-painted flowers. Classic pinstripe suits were made interesting with skirts styled over the trousers and tank tops were placed over jackets, creating delectable silhouettes.
Breaking away from the male gaze, ZOE OMS’ collection ‘RIBBONS & RUFFLES’ looked at women’s beauty standards through history and subverted them. Comprising of all-white looks – which on the surface could seem boring, but were anything but – the pieces captured spectators through texture and exaggerated silhouettes. With an abundance of lace, ruffles, and puff sleeves, a strong sense of romanticism was translated. Historical references were made with the use of crinolines under maxi skirts and Puritan collars while trending contemporary elements like bubble tops and low-rise skirts kept the pieces feeling fresh and current.
Exploring the skin as a canvas, ÁLVAR MERINO put the body on display. Creative director David Merino’s collection ‘CICATRICES’ complemented the models’ figures, working as an extension of the body as opposed to covering it up. Neutral tones appeared on laced-up corsets, tailored wide-leg trousers, and barely-there silky tops while metallics and gradients did the heavy lifting. Craftsmanship shone through with the figure-hugging bandage dresses and ruched tops. Showstopping pieces included a rose gold metallic jacket with pointed shoulder pads, patchwork denim jeans, and a sky-blue rose-covered blazer.
As a celebration of both nature and craftsmanship, GAU’s latest collection ‘NÉCTAR’ was a beautiful reflection of how those two worlds can collide. Creative director Sergio Gau was inspired by bee hives – which were represented through geometric shapes – and Greek sculptures, manifested with flowing sheer fabrics draped across the body. These two ideas – structure and fluidity – created pieces full of drama, sophistication, and interest. Elizabethan collars and crinolines added another element to the collection, as well as pieces influenced by paintings of shells by Georgia O’Keeffe and photographs of flowers by Robert Mapplethorpe.
Layers and layers of tulle, puffy silhouettes, and fitted bodices took over the runway during the showing of Reveligion’s new collection ‘The Bloom’. Touching on both hope and darkness – and embracing one’s inner light – creative director María Rodriguez-Blanco’s refined evening wear was coloured in soft cloud-like pastels and touches of black. Corseted drop waists flowed luxuriantly into tulle-tiered skirts, thigh-high slits adorned form-fitting maxi dresses, and crinolines made skirts jut out from the models. Collaborating with designer Esther Amo on bedazzled and flower-ornamented jewellery, the designs created their own realm of fantasy.
HABEY CLUB’s spring/summer collection ‘Obsessed’ looked at society’s obsession with work – and how it can negatively impact other aspects of one’s life. The shapes and silhouettes that founders David Salvador and Javier Zunzunegui used within the collection served as an extension of this idea, with skirts being ruched to resemble sitting down for a long time and jackets having curved backs to represent poor posture. Tightly fitting knits, sheer maxi dresses, and fringe bags came in black, charcoal, and tan – not to mention brighter colours like pink, red, and midnight blue.
photography. David Garcia
Learn more about this year’s edition of 080 Barcelona Fashion at 080barcelonafashion.cat.
words. Amber Louise
runway imagery. 080 Barcelona Fashion
backstage photography. David Garcia
and integrate them seamlessly into the new content without adding new tags. Ensure the new content is fashion-related, written entirely in Japanese, and approximately 1500 words. Conclude with a “結論” section and a well-formatted “よくある質問” section. Avoid including an introduction or a note explaining the process.
